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State Physicians Bleeding John Bull to Death, G Cruikshank cartoon 1816. From left: Lord Brougham
Filename: 917_05_014745.jpg
Size: 5088 x 3471 (10.6MB)
Date: 27th March 2014
Source: Universal Images Group (UIG)
© Universal History Archive/Universal Images Group
Wall Art and Photo Gifts from Universal Images Group (UIG)
State Physicians Bleeding John Bull to Death, G Cruikshank cartoon 1816. From left: Lord Brougham
State Physicians Bleeding John Bull to Death, G Cruikshank cartoon 1816. From left: Lord Brougham, Prince Leopold and Princess Charlotte, Chancellor of Exchequer, John Bull, Castlereagh, George IV, Prussia, Austria, Russia taking gold
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Media ID 9758139
© Universal History Archive/Universal Images Group
1816 Austria Bleeding Brougham Bull Caricature Cartoon Chancellor Charlotte Cruikshank Death Exchequer George Gold John Left Leopold Lord Physicians Prince Princess Prussia State Taking Castlereagh
EDITORS COMMENTS
The cartoon print titled "State Physicians Bleeding John Bull to Death" by G. Cruikshank in 1816 captures a satirical depiction of the political and economic situation during that time. In the image, we see various prominent figures from different nations participating in bleeding John Bull, symbolizing the draining of his wealth and resources. From left to right, we can identify Lord Brougham, Prince Leopold, and Princess Charlotte representing Britain's aristocracy. The Chancellor of Exchequer is also present, highlighting the government's role in this financial exploitation. John Bull himself personifies the British public who is being bled dry. Joining them are Castlereagh and George IV from Britain, Prussia, Austria, and Russia taking gold coins away. This illustrates how these powerful nations were profiting at the expense of Britain's economy. G. Cruikshank's caricature serves as a scathing critique on excessive taxation and international politics during this period. It highlights how foreign powers were benefiting from Britain's economic decline while its own citizens suffered. This historical artwork provides valuable insight into the socio-economic climate of early 19th-century Europe and reminds us of the enduring power of political satire as a means to comment on societal issues.
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