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Albion Mills, on the south side of Blackfriars Bridge, burning, 3 March 1791, after
Filename: 917_05_0460001653.jpg
Size: 4500 x 3720 (10.1MB)
Date: 28th March 2014
Source: Universal Images Group (UIG)
© Universal History Archive/Universal Images Group
Wall Art and Photo Gifts from Universal Images Group (UIG)
Albion Mills, on the south side of Blackfriars Bridge, burning, 3 March 1791, after
Albion Mills, on the south side of Blackfriars Bridge, burning, 3 March 1791, after set alight by arsonists. Built by Boulton and Watt, it was first steam-powered flour mill in London, (1786) Engineer for mill machinery: John Rennie (1761-1821) Architect: James Wyatt (1746-1813). From Microcosm of London, Rudolph Ackermann, London 1808-1810, illustrated Pugin and Rowlandson. Aquatint
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Media ID 9767819
© Universal History Archive/Universal Images Group
1786 1791 Ackermann Alight Aquatint Architect Blackfriars Boulton Bridge Built Burning Civil Engineer Engineering Flour Illustrated Industrial James John Machinery March Microcosm Mill Mills Power Pugin Pump Revolution Rowlandson Rudolph Side South Steam Steam Powered Watt 1746 1813 Albion Arsonists Firefighting Rennie Wyatt
EDITORS COMMENTS
This print captures the dramatic scene of Albion Mills engulfed in flames on 3 March 1791. The first steam-powered flour mill in London, built by Boulton and Watt in 1786, fell victim to a devastating act of arson that fateful day. The image showcases the destructive power of fire as it ravages this iconic structure situated on the south side of Blackfriars Bridge. The engineering brilliance behind Albion Mills is attributed to John Rennie, an esteemed engineer renowned for his contributions to civil and industrial projects. Working alongside him was the talented architect James Wyatt, whose vision brought this magnificent edifice to life. Their collaboration resulted in a revolutionary marvel that harnessed steam power for milling flour—a groundbreaking achievement during its time. The significance of this event extends beyond mere destruction; it symbolizes both progress and setback. While Albion Mills represented technological advancement and innovation, its demise serves as a reminder of the vulnerability inherent in such pioneering endeavors. Intricately illustrated with aquatint techniques by Pugin and Rowlandson, this historical print from Rudolph Ackermann's "Microcosm of London" publication (1808-1810) immortalizes not only the architectural grandeur but also the tragic end befalling Albion Mills. It stands as a testament to England's industrial revolution while showcasing the resilience and determination required when faced with adversity
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