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The Belligerent Plenipo s:, cartoon by Thomas Colley, London, 1782. Left George
Filename: 917_05_014112.jpg
Size: 4978 x 3549 (7.9MB)
Date: 27th March 2014
Source: Universal Images Group (UIG)
© Universal History Archive/Universal Images Group
Wall Art and Photo Gifts from Universal Images Group (UIG)
The Belligerent Plenipo s:, cartoon by Thomas Colley, London, 1782. Left George
The Belligerent Plenipo s:, cartoon by Thomas Colley, London, 1782. Left George III with half crown, right America, with other half of crown and I have got all I wanted. In middle, France, Holland and Spain who lost by helping America to Independence
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Media ID 9757201
© Universal History Archive/Universal Images Group
1782 America Cartoon Crown George Half Helping Holland Independence Left Lost Middle Spain Thomas Belligerent Colley Wanted
The Belligerent Plenipotentiaries - A Satirical Take on the American Independence
EDITORS COMMENTS
. This intriguing print captures a political cartoon by Thomas Colley, dating back to London in 1782. The artwork portrays an amusing scene with symbolic characters representing key players during the American Revolutionary War. On the left stands George III, King of Britain, holding half of a crown, while America proudly holds the other half on the right side. The caption humorously reads, "I have got all I wanted" implying that both parties achieved their desired outcomes. In the center of this satirical masterpiece stand France, Holland, and Spain—depicted as frustrated figures who lost out by supporting America's quest for independence. This clever representation highlights how these nations suffered consequences for aiding America against British rule. Thomas Colley's cartoon not only serves as a visual commentary on historical events but also reflects upon broader themes such as power dynamics and international relations. It reminds us that even in times of conflict and war, there is room for wit and satire to shed light on complex political situations. As we delve into this piece from Universal Images Group (UIG), it is important to appreciate its artistic value and historical significance rather than focusing solely on commercial use or profit-making aspects.
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