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Costume design for Monostatos, 1913. Monostatos, a Moor in the service of Sarastro
Filename: 917_05_0510002339.jpg
Size: 2853 x 4500 (6.1MB)
Date: 28th March 2014
Source: Universal Images Group (UIG)
© Universal History Archive/Universal Images Group
Wall Art and Photo Gifts from Universal Images Group (UIG)
Costume design for Monostatos, 1913. Monostatos, a Moor in the service of Sarastro
Costume design for Monostatos, 1913. Monostatos, a Moor in the service of Sarastro, the High Priest of Isis and Osiris. The Magic Flute ( Die Zauberflote ), opera by Wolfgang Amadeus Mozart (1756-1791) with libretto by Emanuel Schikaneder (1751-1812) was first produced in Vienna in 1791. The plot has overtones of Freemasonry. Some say Queen of the Night is based on the Empress Maria Theresa (1717-1780). Design for a 1913 production at the Paris Opera
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Media ID 9771089
© Universal History Archive/Universal Images Group
1717 1780 1751 1812 1756 1791 1791 1913 Amadeus Based Costume Design Drama Emanuel Empress Flute Freemasonry High Isis Libretto Magic Maria Moor Mozart Music Night Opera Osiris Overtones Paris Plot Priest Produced Production Queen Schikaneder Service Theatre Theresa Vienna Wolfgang Zauberflote Sarastro
EDITORS COMMENTS
This print showcases a stunning costume design for the character Monostatos in the renowned opera "The Magic Flute" by Wolfgang Amadeus Mozart. Created in 1913 for a production at the Paris Opera, this intricate and elaborate costume perfectly captures the essence of Monostatos, a Moor who serves Sarastro, the High Priest of Isis and Osiris. "The Magic Flute" with its libretto by Emanuel Schikaneder, was first produced in Vienna in 1791 and has since become one of Mozart's most beloved works. The plot of this enchanting opera is known to have overtones of Freemasonry, adding an intriguing layer to its dramatic storyline. Some speculate that Queen of the Night, another prominent character in "The Magic Flute" is based on Empress Maria Theresa. This historical connection further adds depth to the narrative and highlights Mozart's ability to infuse his music with both artistic brilliance and political undertones. In this particular production from 1913, every detail has been meticulously crafted to transport audiences into a world filled with magic and wonder. The exquisite design showcased here exemplifies the creativity and craftsmanship involved in bringing this timeless story to life on stage. As we admire this remarkable print from Universal Images Group (UIG), we are reminded of how theater can transcend time and space, immersing us in stories that continue to captivate audiences across generations.
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