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Perucssion Instruments. 1: Military drums, 2: Side drums, 3: Swiss pipes, 4: Anvil
Filename: 917_05_013046.jpg
Size: 3800 x 5057 (5.2MB)
Date: 27th March 2014
Source: Universal Images Group (UIG)
© Universal History Archive/Universal Images Group
Wall Art and Photo Gifts from Universal Images Group (UIG)
Perucssion Instruments. 1: Military drums, 2: Side drums, 3: Swiss pipes, 4: Anvil
Perucssion Instruments. 1: Military drums, 2: Side drums, 3: Swiss pipes, 4: Anvil. Woodcut from Michael Praetorius Syntagma Musicum, 1615-1620
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Media ID 9756811
© Universal History Archive/Universal Images Group
16th Century Anvil Drums Instrument Instruments Michael Military Music Musical Pipes Side Sixteenth Century Swiss Woodcut 1615 1620 Musicum Praetorius Syntagma
EDITORS COMMENTS
This woodcut print from Michael Praetorius' Syntagma Musicum, created between 1615 and 1620, showcases a fascinating array of percussion instruments. The composition features four distinct elements that transport us back to the vibrant musical scene of the 16th century. At the forefront, we are introduced to two military drums exuding power and grandeur. Their commanding presence evokes images of soldiers marching in unison, instilling a sense of discipline and order on the battlefield. Adjacent to them are side drums, known for their versatility in producing various tones. These smaller yet equally significant instruments were often used in military parades or as accompaniment during festive occasions. Moving towards the center, we encounter Swiss pipes emitting enchanting melodies that captivate listeners with their unique timbre. These traditional wind instruments have been an integral part of Swiss folklore for centuries. Lastly, our attention is drawn to an unexpected inclusion - an anvil. This unconventional percussion instrument adds a touch of whimsy to the ensemble while demonstrating Praetorius' innovative approach towards music-making. Through this woodcut print, Praetorius invites us into his world where rhythm reigns supreme. It serves as a testament to his deep understanding and appreciation for diverse musical traditions prevalent during his time.
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