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Temple painting

Temple painting


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Filename: 971_07_KH079209B.jpg

Size: 3531 x 5400 (18.4MB)

Date: 22nd February 2008

Source: Universal Images Group (UIG)

Credit: Ref:079

Country: Cambodia

© Godong/UIG

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Temple painting

Temple painting, Offerings to Buddha

Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide

Media ID 9678819

© Godong/UIG

Buddha Buddhism Buddhist Cambodia Khmer Offering Painting Religious Art


EDITORS COMMENTS
In this print titled "Temple painting, Offerings to Buddha" we are transported to the heart of Cambodia's spiritual realm. The image captures a profound moment of devotion and faith as an adult woman makes offerings to Buddha in a serene temple setting. The vibrant colors and intricate details of the temple painting reflect the rich artistic heritage of Khmer culture. Buddhism, deeply ingrained in Cambodian society, is beautifully depicted through this photograph. It serves as a powerful reminder of the importance placed on spirituality and religious practices in daily life. The woman's posture exudes reverence and humility, embodying her unwavering dedication to her beliefs. The Temple painting itself stands as a testament to religious artistry, showcasing the skillful craftsmanship that has been passed down through generations. Its presence within the sacred space adds an aura of tranquility and contemplation. Philippe Lissac masterfully captures this poignant scene with his lens, allowing us to glimpse into a world where spirituality takes center stage. Through his composition, he invites viewers from all walks of life to appreciate not only the beauty but also the significance behind such cultural expressions. This Universal Images Group (UIG) print is more than just an aesthetically pleasing piece; it encapsulates centuries-old traditions that continue to shape Cambodia's identity today. As we gaze upon this remarkable artwork frozen in time, we are reminded of our shared humanity and our universal quest for meaning beyond ourselves.

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