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Kirov watches a parade of sportsmen (1935) a painting by a, n, samokhvalov
Filename: 975_05_SOV-C-96000501524.jpg
Size: 4808 x 3927 (13.5MB)
Date: 21st March 2014
Source: Universal Images Group (UIG)
© Sovfoto/Universal Images Group
Wall Art and Photo Gifts from Universal Images Group (UIG)
Kirov watches a parade of sportsmen (1935) a painting by a, n, samokhvalov
Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide
Media ID 9636433
© Sovfoto/Universal Images Group
Communism Communist Propaganda Socialism Socialist Socialist Realism Soviet Union Stalinist Ussr
EDITORS COMMENTS
In this print titled "Kirov Watches a Parade of Sportsmen (1935)" we are transported back to the era of Soviet Union's socialist realism art movement. Painted by A. N. Samokhvalov, this masterpiece captures a significant moment in history where politics and sports intertwine. The painting showcases Sergei Kirov, a prominent figure in the Communist Party, observing a grand parade of athletes with great pride and admiration. The vibrant red hues dominating the scene symbolize the fervor and passion that characterized the communist ideology during that time. This artwork not only serves as propaganda for socialism but also highlights the importance given to physical fitness within Soviet society. By showcasing an impressive display of athleticism through synchronized movements and disciplined formations, it reinforces the idea that socialism fosters unity, strength, and collective achievement. As we delve into this piece further, we witness how art was utilized as a powerful tool for political messaging during Stalinist Russia. Through its meticulous attention to detail and realistic portrayal of individuals from various walks of life participating in sports activities together, it aims to inspire viewers towards embracing socialist values wholeheartedly. With every brushstroke meticulously executed by Samokhvalov's skilled hand, "Kirov Watches a Parade of Sportsmen" stands as an enduring testament to both artistic brilliance and ideological conviction. It encapsulates an era marked by intense nationalism while simultaneously offering us insight into how art can be harnessed for propagandistic purposes without compromising aesthetic appeal or emotional
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