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America divided into its main states, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection
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America divided into its main states, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection
America divided into its main states, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1776. Artist:Zuliani G
Alinari
PDP-A-ZATTA1-0014
Media ID 33185715
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Scene Means Of Communication Seaeighteenth Century Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta. The artwork, now housed in a private collection in Florence, transports us back to the eighteenth century and immerses us in the Renaissance-Baroque styles and periods of Europe. The centerpiece of this engraving is a meticulously detailed map titled "America divided into its main states". It serves as both a cartographic masterpiece and an allegorical representation of the diverse territories that make up America. With intricate lines and delicate shading, it captures the essence of each state's geographical features while evoking a sense of wonder about the unexplored lands during that era. As we delve deeper into this artwork, we are reminded of how crucial maps were as instruments for communication and documentation throughout history. This particular piece stands as a testament to their significance, showcasing not only geographic information but also acting as a symbol for exploration and discovery. The juxtaposition between the abstract concept conveyed through this map and its tangible existence as a physical artifact adds another layer to our understanding. Its presence bridges two distinct time periods: when it was created in 1776 amidst political upheaval during America's fight for independence, and when it was photographed by Alinari in 2009—a reminder that art can transcend time. In conclusion, this remarkable print invites us to appreciate Zuliani's masterful craftsmanship while contemplating the historical context within which it was produced. Through its combination of artistic beauty with practical functionality, it reminds us why maps have always been essential tools for understanding our world—both past and present.
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