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Ancient Germany divided into IV great peoples, distinguished by lesser and least tribes and regions of the Danube contained between it and the Adriatic Sea, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection
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Ancient Germany divided into IV great peoples, distinguished by lesser and least tribes and regions of the Danube contained between it and the Adriatic Sea, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection
Ancient Germany divided into IV great peoples, distinguished by lesser and least tribes and regions of the Danube contained between it and the Adriatic Sea, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1785. Artist:Zuliani G
Alinari
PDP-A-ZATTA4-0034
Media ID 33189781
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta. The artwork, titled "Ancient Germany divided into IV great peoples, distinguished by lesser and least tribes and regions of the Danube contained between it and the Adriatic Sea" offers a fascinating glimpse into the intricate cartography of Europe during the Renaissance-Baroque period. The engraving depicts a detailed map of Ancient Germany, meticulously dividing it into four major peoples while highlighting numerous smaller tribes and regions along the Danube River leading to the Adriatic Sea. This masterpiece not only serves as a geographical or topographical map but also conveys abstract concepts and symbols through its allegorical representation. Created in the eighteenth century, this artwork exemplifies both Renaissance and Baroque styles prevalent during that era. Its intricate details reflect meticulous craftsmanship, showcasing how maps were not merely instruments for navigation but also works of art meant to communicate complex information. This particular print was captured in 2009 from a private collection located in Florence. It is truly remarkable how this piece has withstood time since its creation over two centuries ago. Through Alinari's lens, we are transported back to an era where drawing graphics on paper was one of humanity's primary means of communication. As we admire this stunning artwork today, let us appreciate both its historical significance and artistic beauty—a testament to human ingenuity throughout different periods in history.
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