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Metal Print : Ancient Germany divided into IV great peoples, distinguished by lesser and least tribes and regions of the Danube contained between it and the Adriatic Sea, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection
Metal Prints from Fondazione Alinari per la Fotografia
Ancient Germany divided into IV great peoples, distinguished by lesser and least tribes and regions of the Danube contained between it and the Adriatic Sea, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection
Ancient Germany divided into IV great peoples, distinguished by lesser and least tribes and regions of the Danube contained between it and the Adriatic Sea, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1785. Artist:Zuliani G
Alinari
PDP-A-ZATTA4-0034
Media ID 33189781
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
16"x20" (51x41cm) Metal Print
Step back in time with our exquisite Metal Print of Ancient Germany, featuring an intricately detailed engraving by G. Zuliani from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta. This captivating image showcases Ancient Germany divided into its four great peoples, each distinguished by lesser and least tribes and regions along the Danube. Bring history to life in your home or office with this stunning and unique piece of decor. Perfect for history enthusiasts, collectors, or anyone who appreciates the beauty of historical art. Private Collection by Alinari.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta. The artwork, titled "Ancient Germany divided into IV great peoples, distinguished by lesser and least tribes and regions of the Danube contained between it and the Adriatic Sea" offers a fascinating glimpse into the intricate cartography of Europe during the Renaissance-Baroque period. The engraving depicts a detailed map of Ancient Germany, meticulously dividing it into four major peoples while highlighting numerous smaller tribes and regions along the Danube River leading to the Adriatic Sea. This masterpiece not only serves as a geographical or topographical map but also conveys abstract concepts and symbols through its allegorical representation. Created in the eighteenth century, this artwork exemplifies both Renaissance and Baroque styles prevalent during that era. Its intricate details reflect meticulous craftsmanship, showcasing how maps were not merely instruments for navigation but also works of art meant to communicate complex information. This particular print was captured in 2009 from a private collection located in Florence. It is truly remarkable how this piece has withstood time since its creation over two centuries ago. Through Alinari's lens, we are transported back to an era where drawing graphics on paper was one of humanity's primary means of communication. As we admire this stunning artwork today, let us appreciate both its historical significance and artistic beauty—a testament to human ingenuity throughout different periods in history.
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