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Asian Turkey, including Antolia, Georgia, Armenia, Kurdestan, Diarbec, Irak-Arabi, Syria, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
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Asian Turkey, including Antolia, Georgia, Armenia, Kurdestan, Diarbec, Irak-Arabi, Syria, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
Asian Turkey, including Antolia, Georgia, Armenia, Kurdestan, Diarbec, Irak-Arabi, Syria, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1784. Artist:Zuliani G
Alinari
PDP-A-ZATTA4-0001
Media ID 33186315
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta. The artwork depicts Asian Turkey, a region encompassing Antolia, Georgia, Armenia, Kurdestan, Diarbec, Irak-Arabi, and Syria. This stunning piece belongs to a private collection in Florence and represents the Renaissance-Baroque styles and periods prevalent during the eighteenth century. The intricate details of this engraving transport us back to a time when cartography was not only a means of communication but also an art form. Through meticulous lines and delicate shading techniques, Zuliani skillfully captures the essence of these diverse territories. As we delve into this masterpiece's historical significance, it becomes evident that it serves as both an instrument and document for understanding geography during the first and second millennium A. D. It symbolizes more than just physical landscapes; it embodies allegory and abstract concepts associated with each location depicted. The juxtaposition of ancient lands with contemporary photography adds another layer to our appreciation for this artwork. Photographed in 2009 by Alinari—an esteemed name synonymous with excellence—this image bridges two distinct eras while preserving their individual beauty. By immersing ourselves in this visual treasure trove rooted in European history, we gain insight into how communication has evolved over time. The scene portrayed invites contemplation on various subjects expressed through renaissance baroque styles: culture clash between East and West or even political dynamics within these regions. In conclusion, this remarkable print offers us a glimpse into centuries past—a testament to human curiosity about our world's vastness—and reminds us that art can transcend time while remaining relevant today.
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