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Framed Print : Asian Turkey, including Antolia, Georgia, Armenia, Kurdestan, Diarbec, Irak-Arabi, Syria, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
Framed Photos from Fondazione Alinari per la Fotografia
Asian Turkey, including Antolia, Georgia, Armenia, Kurdestan, Diarbec, Irak-Arabi, Syria, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
Asian Turkey, including Antolia, Georgia, Armenia, Kurdestan, Diarbec, Irak-Arabi, Syria, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1784. Artist:Zuliani G
Alinari
PDP-A-ZATTA4-0001
Media ID 33186315
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
12"x10" Modern Frame
Introducing the exquisite Media Storehouse Framed Print of Asian Turkey, an intriguing piece drawn from the historic "Newest Atlas" published in Venice in 1784 by Antonio Zatta. This stunning engraving, created by the skilled hand of G. Zuliani, offers a captivating glimpse into the rich history of Asia Turkey, featuring the regions of Antolia, Georgia, Armenia, Kurdestan, Diarbec, Irak-Arabi, and Syria. Bring the allure of the past into your modern living space with this beautifully crafted, museum-quality print. The intricate details of the engraving are brought to life with the highest resolution printing techniques, ensuring that every line and texture shines through. The print is carefully framed in a classic, timeless design, making it a perfect addition to any room in your home or office. Step back in time and transport yourself to the vibrant, culturally rich world of Asian Turkey as depicted in this stunning, historic print from Media Storehouse.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 30.5cm x 25.4cm (12" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta. The artwork depicts Asian Turkey, a region encompassing Antolia, Georgia, Armenia, Kurdestan, Diarbec, Irak-Arabi, and Syria. This stunning piece belongs to a private collection in Florence and represents the Renaissance-Baroque styles and periods prevalent during the eighteenth century. The intricate details of this engraving transport us back to a time when cartography was not only a means of communication but also an art form. Through meticulous lines and delicate shading techniques, Zuliani skillfully captures the essence of these diverse territories. As we delve into this masterpiece's historical significance, it becomes evident that it serves as both an instrument and document for understanding geography during the first and second millennium A. D. It symbolizes more than just physical landscapes; it embodies allegory and abstract concepts associated with each location depicted. The juxtaposition of ancient lands with contemporary photography adds another layer to our appreciation for this artwork. Photographed in 2009 by Alinari—an esteemed name synonymous with excellence—this image bridges two distinct eras while preserving their individual beauty. By immersing ourselves in this visual treasure trove rooted in European history, we gain insight into how communication has evolved over time. The scene portrayed invites contemplation on various subjects expressed through renaissance baroque styles: culture clash between East and West or even political dynamics within these regions. In conclusion, this remarkable print offers us a glimpse into centuries past—a testament to human curiosity about our world's vastness—and reminds us that art can transcend time while remaining relevant today.
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