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Extremadura of Portugal Alentejo or Algarve, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Extremadura of Portugal Alentejo or Algarve, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection
Extremadura of Portugal Alentejo or Algarve, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1776. Artist:Zuliani G
Alinari
PDP-A-ZATTA1-0018
Media ID 33185723
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Modern History Of Nations Peoples Scene Means Of Communication Seaeighteenth Century Territories Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta. Housed in a private collection in Florence, this artwork offers a glimpse into the historical and geographical significance of Extremadura, Portugal's Alentejo or Algarve regions. Dating back to the eighteenth century, this Renaissance-Baroque style piece embodies the artistic essence of that era. It serves as both a testament to the advancements made during that time and a reflection of Europe's rich cultural heritage throughout the first and second millenniums. The intricate details captured within this engraving are truly remarkable. The artist skillfully combines elements of cartography with allegorical symbols, creating an abstract representation of these Portuguese territories. This fusion allows viewers to delve deeper into their history and understand their significance within modern nations. As we explore this enchanting artwork, it becomes apparent that it is more than just a mere map; it is an instrument for communication across borders and cultures. Its purpose extends beyond its practical use as a geographical or topographical guide; it symbolizes unity among diverse peoples and territories. With its depiction of coastal scenes reminiscent of Portugal's seafaring past, this engraving transports us back to the vibrant maritime culture prevalent during the eighteenth century. It evokes feelings of adventure and discovery while simultaneously highlighting Europe's evolving means of communication during that period. In conclusion, Zuliani's masterful creation encapsulates not only Portugal's history but also broader themes such as artistry, exploration, and interconnectedness between nations. As we admire this extraordinary piece from Alinari's collection dating back to 1776, we are reminded once again how art can transcend time and continue to captivate our imaginations centuries later
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