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Independent Tartary including the Country of Kalmyki, that of Usbeks and Turkestan and their dependents, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
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Independent Tartary including the Country of Kalmyki, that of Usbeks and Turkestan and their dependents, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
Independent Tartary including the Country of Kalmyki, that of Usbeks and Turkestan and their dependents, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1784. Artist:Zuliani G
Alinari
PDP-A-ZATTA4-0011
Media ID 33187191
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases the intricate engraving titled "Independent Tartary including the Country of Kalmyki, that of Usbeks and Turkestan and their dependents". Created by G. Zuliani in 1784, this masterpiece is taken from Tome IV of the renowned "Newest Atlas" published in Venice by Antonio Zatta. The artwork depicts a mesmerizing blend of Renaissance-Baroque styles and periods, transporting us back to eighteenth-century Europe. It immerses viewers in an era where cartography was not merely a means of communication but also a form of artistry. The image presents an abstract concept through its allegorical representation of territory and geography. The vast expanse portrayed encompasses Independent Tartary, along with the countries inhabited by Kalmyki, Usbeks, and Turkestan's people and their dependents. This intricately detailed map offers a glimpse into these regions during a significant period in history. As we delve deeper into this enchanting piece, we are reminded of how maps have always been instrumental documents for understanding our world. They serve as instruments that transcend time, allowing us to explore different eras while providing valuable insights into geographical landscapes. Captured beautifully by Alinari in 2009 from their private collection Florence Engraving Eighteenth Century series, this photograph preserves the essence and grandeur of Zuliani's original work. It invites us to appreciate both the artistic brilliance behind it as well as its historical significance within first and second millennium A. D. In conclusion, this remarkable print encapsulates not only an exquisite example of cartography but also represents centuries-old traditions merging with modern technology to preserve our rich cultural heritage for generations to come.
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