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Metal Print : Independent Tartary including the Country of Kalmyki, that of Usbeks and Turkestan and their dependents, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
Metal Prints from Fondazione Alinari per la Fotografia
Independent Tartary including the Country of Kalmyki, that of Usbeks and Turkestan and their dependents, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
Independent Tartary including the Country of Kalmyki, that of Usbeks and Turkestan and their dependents, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1784. Artist:Zuliani G
Alinari
PDP-A-ZATTA4-0011
Media ID 33187191
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
16"x20" (51x41cm) Metal Print
Step back in time with our exquisite Metal Print of Independent Tartary, featuring an intricately detailed engraving by G. Zuliani from Tome IV of the "Newest Atlas" published in Venice in 1784. This stunning representation showcases the lands of Kalmyki, Usbeks, and Turkestan, and their dependents, offering a glimpse into the historical geography of the region. Our high-quality Metal Prints are known for their vibrant colors, rich textures, and long-lasting durability, making them a beautiful addition to any home or office. Bring history to life with this unique and captivating piece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the intricate engraving titled "Independent Tartary including the Country of Kalmyki, that of Usbeks and Turkestan and their dependents". Created by G. Zuliani in 1784, this masterpiece is taken from Tome IV of the renowned "Newest Atlas" published in Venice by Antonio Zatta. The artwork depicts a mesmerizing blend of Renaissance-Baroque styles and periods, transporting us back to eighteenth-century Europe. It immerses viewers in an era where cartography was not merely a means of communication but also a form of artistry. The image presents an abstract concept through its allegorical representation of territory and geography. The vast expanse portrayed encompasses Independent Tartary, along with the countries inhabited by Kalmyki, Usbeks, and Turkestan's people and their dependents. This intricately detailed map offers a glimpse into these regions during a significant period in history. As we delve deeper into this enchanting piece, we are reminded of how maps have always been instrumental documents for understanding our world. They serve as instruments that transcend time, allowing us to explore different eras while providing valuable insights into geographical landscapes. Captured beautifully by Alinari in 2009 from their private collection Florence Engraving Eighteenth Century series, this photograph preserves the essence and grandeur of Zuliani's original work. It invites us to appreciate both the artistic brilliance behind it as well as its historical significance within first and second millennium A. D. In conclusion, this remarkable print encapsulates not only an exquisite example of cartography but also represents centuries-old traditions merging with modern technology to preserve our rich cultural heritage for generations to come.
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