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Japanese Empire divided into seven main parts: Ochio, Quanto, Jetsegen, Jetsen, Jamaisoit, Xicoco and Ximo, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection
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Japanese Empire divided into seven main parts: Ochio, Quanto, Jetsegen, Jetsen, Jamaisoit, Xicoco and Ximo, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection
Japanese Empire divided into seven main parts: Ochio, Quanto, Jetsegen, Jetsen, Jamaisoit, Xicoco and Ximo, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1785. Artist:Zuliani G
Alinari
PDP-A-ZATTA4-0008
Media ID 33186359
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Modern History Of Nations Peoples Scene Means Of Communication Territories Territory Abstract Concept And Symbol Concept Or Subject Expressed
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This print showcases an exquisite engraving by G. Zuliani, taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta. The artwork depicts the Japanese Empire divided into seven main parts: Ochio, Quanto, Jetsegen, Jetsen, Jamaisoit, Xicoco and Ximo. The intricate details of this Renaissance-Baroque style engraving transport us back to the eighteenth century when cartography was a vital means of communication and exploration. It serves as a testament to the importance placed on accurately representing territories and documenting geographical information during that era. The artist's skillful use of graphics and drawing brings forth an allegorical representation of Japan's diverse landscape and cultural richness. Each region is meticulously delineated with precision and artistic flair, allowing viewers to appreciate both its topographical features and symbolic significance. As we delve into this historical masterpiece, it becomes evident that it not only reflects the geography but also captures elements of Japan's modern history. Through its abstract concepts and symbols, this map offers insights into the nation's past while simultaneously serving as a valuable instrument for understanding its present-day identity. Intriguingly juxtaposed against a backdrop of Europe in the first and second millennium A. D. , this artwork invites contemplation on cross-cultural influences between East and West during different periods in history. This particular photograph was captured in 2009 from a private collection held by Alinari Florence Engraving Eighteenth Century. Its existence allows us to appreciate how art transcends time; enabling us to explore distant lands through visual representations even centuries after their creation. Overall, this remarkable piece serves as a reminder of humanity's ceaseless quest for knowledge about our world - be it through writing or cartography - bridging gaps between cultures across time.
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