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Land area of the State of the Veneto: Brescia, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1783 by Antonio Zatta, Private Collection
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Land area of the State of the Veneto: Brescia, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1783 by Antonio Zatta, Private Collection
Land area of the State of the Veneto: Brescia, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1783 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1783. Artist:Zuliani G
Alinari
PDP-A-ZATTA2-0009
Media ID 33187677
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving titled "Land area of the State of the Veneto: Brescia" by G. Zuliani, taken from Tome II of the esteemed "Newest Atlas" published in Venice in 1783 by Antonio Zatta. Housed within a private collection, this remarkable piece represents the epitome of Renaissance-Baroque styles and periods. The artwork itself is a testament to the mastery of cartography and graphics during the eighteenth century. With intricate detail and precision, Zuliani's engraving beautifully captures the sprawling territory of Veneto, specifically focusing on Brescia. The landscape portrayed transports viewers back in time to explore Europe as it was centuries ago. As a means of communication, this allegorical map serves as both an instrument and document that conveys geographical information with artistic flair. It symbolizes not only physical landscapes but also abstract concepts associated with territorial boundaries and cultural identity. The photograph was taken in 2009 while capturing this extraordinary artwork dating back to 1783. Its presence evokes a sense of awe as we contemplate its historical significance and appreciate its timeless beauty. Through this image, we are reminded of how art transcends time and space, allowing us to connect with different eras while appreciating their unique perspectives on geography and landscape. This particular piece exemplifies the fusion between artistry and scientific accuracy prevalent during the Renaissance-Baroque period. In summary, Alinari has expertly captured an enchanting glimpse into European history through this mesmerizing print featuring Zuliani's masterful engraving from Antonio Zatta's "Newest Atlas". It stands as a testament to human ingenuity in both cartography and artistic expression throughout different epochs.
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