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Land area of the State of the Veneto: the Dogado, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection

Land area of the State of the Veneto: the Dogado, engraving by G. Zuliani taken from Tome II of the 'Newest Atlas' published in Venice in 1782 by Antonio Zatta, Private Collection


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Land area of the State of the Veneto: the Dogado, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection

Land area of the State of the Veneto: the Dogado, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1782. Artist:Zuliani G

Alinari
PDP-A-ZATTA2-0003

Media ID 33187659

© Alinari Archives, Florence

Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Gulf Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed Landscape Seascape


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> Abstract Art > Landscape

> Abstract Art > Painting > Related Images

> Arts > Abstract art > Abstract landscape paintings

> Arts > Abstract art

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Art Movements > Seascapes

> Arts > Contemporary art > Landscapes > Abstract art

> Arts > Contemporary art > Landscapes > Seascape paintings

> Arts > Landscape paintings > Abstract landscape art > Landscape paintings


EDITORS COMMENTS
This print showcases an exquisite engraving titled "Land area of the State of Veneto: the Dogado" by G. Zuliani, extracted from Tome II of the renowned "Newest Atlas" published in Venice in 1782 by Antonio Zatta. This remarkable piece belongs to a private collection and was captured by Alinari in Florence. The artwork itself is a testament to the mastery of Renaissance-Baroque styles and periods, transporting us back to Europe during the eighteenth century. It beautifully combines elements of cartography, graphics, drawing, and territory representation into one harmonious composition. Zuliani's engraving skillfully depicts an allegorical interpretation of this land area within Veneto. The abstract concept and symbol are brought to life through a geographical or topographical map that highlights various features such as gulfs, landscapes (seascapes), coves, bays, and scenes representing communication means. As we delve into this masterpiece further, it becomes evident that it serves not only as an instrument for navigation but also as a historical document capturing the essence of Venetian geography during its heyday. The intricate details meticulously etched onto paper offer insights into how people perceived their surroundings centuries ago. With its rich history dating back to 1782 when it was first created by Zuliani's skilled hands, this artwork stands as a timeless representation of European culture from both the first and second millenniums AD. Alinari's photograph taken in 2009 allows us to appreciate every stroke made by Zuliani over two centuries ago with unparalleled clarity. It invites us on a visual journey through time while reminding us of our ever-evolving understanding and appreciation for artistry throughout history.

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