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Land of Outagamie, Mascoutin, Illinois Indians and part of the Six Nations, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection
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Land of Outagamie, Mascoutin, Illinois Indians and part of the Six Nations, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection
Land of Outagamie, Mascoutin, Illinois Indians and part of the Six Nations, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1778. Artist:Zuliani G
Alinari
PDP-A-ZATTA1-0060
Media ID 33187615
© Alinari Archives, Florence
American Indians Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Native Populations Of The Americas Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed Ethnography And Folklore Population And Nationality
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EDITORS COMMENTS
This print showcases an exquisite engraving titled "Land of Outagamie, Mascoutin, Illinois Indians and part of the Six Nations". Created by the talented artist G. Zuliani in 1778, this masterpiece was featured in Tome I of the renowned "Newest Atlas" published in Venice. Housed within a private collection in Florence, this remarkable piece captures the essence of eighteenth-century Renaissance-Baroque styles. The artwork itself is a testament to the intricate craftsmanship and attention to detail prevalent during that era. The scene depicted transports us back to a time when cartography played a vital role in communication and understanding territories. With its allegorical elements and abstract symbols, it serves as both a geographical map and an instrument for exploration. One cannot help but be drawn into this mesmerizing composition which delves into the rich history of American Indians and their connection with land. It offers glimpses into native populations across North America during the eighteenth century – shedding light on anthropology, ethnography, folklore, population dynamics, and nationality. The significance of this engraving extends beyond its artistic value; it represents an important means of communication from centuries past. As we admire Zuliani's skilled rendering techniques and marvel at his ability to capture such vast landscapes on paper, we are reminded of how far our methods have evolved since then. Thanks to Alinari's exceptional photography skills showcased through this image captured in 2009, we can now appreciate every intricate detail preserved within this historical artifact dating back over two centuries ago. This photograph allows us to delve deep into European art movements while exploring concepts related to territory mapping throughout different periods – truly encapsulating first- and second-millennium aesthetics that continue to captivate audiences today.
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