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Plate depicting the Virgin and Child Enthroned with St. Rock and St. Clare, by Niccol Pizzolo, in the Museo Civico, Padua
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Plate depicting the Virgin and Child Enthroned with St. Rock and St. Clare, by Niccol Pizzolo, in the Museo Civico, Padua
Alinari, Fratelli
ACA-F-013139-0000
Media ID 33125582
© Alinari Archives, Florence
Child Floor Jesus Christ Christ Child Life And Representations Of The Virgin Literature And Fiction Madonna And Child With Saints Mantle Cloak Putto Throneearly Renaissance Virgin Mary Christian Religion Lucy Subject
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EDITORS COMMENTS
This print showcases a stunning plate depicting the Virgin and Child Enthroned with St. Rock and St. Clare, created by the talented artist Niccol Pizzolo during the early Renaissance period. The artwork, dating back to 1440-1453, can be found in all its glory at the Museo Civico in Padua. The plate itself is a masterpiece of craftsmanship, featuring intricate details that highlight both architectural elements and decorative sections. The composition centers around the majestic figure of the Virgin Mary seated on an ornate throne, cradling baby Jesus in her arms. Surrounding them are two prominent saints: St. Rock and St. Clare. Every aspect of this artwork exudes elegance and grace; from the flowing garments worn by each figure to their serene expressions that radiate spirituality. The presence of angels adds an ethereal touch to this divine scene. Noteworthy also is Pizzolo's attention to detail when it comes to fashion and clothing, as well as his ability to capture human anatomy with precision – evident in his portrayal of both male and female figures. This piece serves not only as a representation of Christian religion but also reflects themes from literature and fiction prevalent during that time period. Additionally, it exemplifies characteristics associated with Renaissance art movements across Europe. As we delve into this photograph taken between 1915-1920 by Alinari Fratelli for Alinari (not for commercial use), we are transported back through time - witnessing firsthand how Pizzolo's work has stood the test of time while continuing to inspire awe even centuries later.
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