Metal Print > Europe > Italy > Veneto > Padua
Metal Print : Plate depicting the Virgin and Child Enthroned with St. Rock and St. Clare, by Niccol Pizzolo, in the Museo Civico, Padua
Resolution may be reduced at this size (109 DPI)
Metal Prints from Fondazione Alinari per la Fotografia
Plate depicting the Virgin and Child Enthroned with St. Rock and St. Clare, by Niccol Pizzolo, in the Museo Civico, Padua
Alinari, Fratelli
ACA-F-013139-0000
Media ID 33125582
© Alinari Archives, Florence
Child Floor Jesus Christ Christ Child Life And Representations Of The Virgin Literature And Fiction Madonna And Child With Saints Mantle Cloak Putto Throneearly Renaissance Virgin Mary Christian Religion Lucy Subject
16"x20" (51x41cm) Metal Print
Experience the timeless beauty of Italian Renaissance art with our Media Storehouse Metal Prints. This exquisite piece showcases "The Virgin and Child Enthroned with St. Rock and St. Clare," a masterpiece by Niccol Pizzolo, housed in the Museo Civico in Padua. Captured by Fratelli Alinari around 1915-1920, this plate brings the intricate details and vibrant colors of Pizzolo's work to life. Immerse yourself in the rich history and artistic excellence of the 15th century with this stunning addition to your home or office decor. Order your Metal Print today and bring a piece of the past into your present.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a stunning plate depicting the Virgin and Child Enthroned with St. Rock and St. Clare, created by the talented artist Niccol Pizzolo during the early Renaissance period. The artwork, dating back to 1440-1453, can be found in all its glory at the Museo Civico in Padua. The plate itself is a masterpiece of craftsmanship, featuring intricate details that highlight both architectural elements and decorative sections. The composition centers around the majestic figure of the Virgin Mary seated on an ornate throne, cradling baby Jesus in her arms. Surrounding them are two prominent saints: St. Rock and St. Clare. Every aspect of this artwork exudes elegance and grace; from the flowing garments worn by each figure to their serene expressions that radiate spirituality. The presence of angels adds an ethereal touch to this divine scene. Noteworthy also is Pizzolo's attention to detail when it comes to fashion and clothing, as well as his ability to capture human anatomy with precision – evident in his portrayal of both male and female figures. This piece serves not only as a representation of Christian religion but also reflects themes from literature and fiction prevalent during that time period. Additionally, it exemplifies characteristics associated with Renaissance art movements across Europe. As we delve into this photograph taken between 1915-1920 by Alinari Fratelli for Alinari (not for commercial use), we are transported back through time - witnessing firsthand how Pizzolo's work has stood the test of time while continuing to inspire awe even centuries later.
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