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Portugal, that is the provinces of Entre Douro, Minho, Traz-os-Montes and Beir, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection

Portugal, that is the provinces of Entre Douro, Minho, Traz-os-Montes and Beir, engraving by G. Zuliani taken from Tome I of the 'Newest Atlas' published in Venice in 1776 by Antonio Zatta, Private Collection


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Portugal, that is the provinces of Entre Douro, Minho, Traz-os-Montes and Beir, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection

Portugal, that is the provinces of Entre Douro, Minho, Traz-os-Montes and Beir, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1776. Artist:Zuliani G

Alinari
PDP-A-ZATTA1-0019

Media ID 33185727

© Alinari Archives, Florence

Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Modern History Of Nations Peoples Scene Means Of Communication Territories Territory Abstract Concept And Symbol Concept Or Subject Expressed


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> Abstract Art > Painting > Related Images

> Arts > Abstract art

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Contemporary art > Modern art > Abstract art

> Arts > Cubist sculptures > Abstract art > Modern art

> Arts > Still life artwork > Abstract art > Fine art

> Arts > Still life artwork > Abstract art > Modern art

> Arts > Minimalist artwork > Abstract art > Fine art

> Arts > Minimalist artwork > Abstract art > Modern art


EDITORS COMMENTS
This print showcases an exquisite engraving titled "Portugal, that is the provinces of Entre Douro, Minho, Traz-os-Montes and Beir". Created by the talented artist G. Zuliani in 1776 and published in Venice as part of Antonio Zatta's "Newest Atlas" this masterpiece now resides in a private collection. The artwork itself represents a remarkable blend of Renaissance-Baroque styles and periods, transporting viewers back to eighteenth-century Europe. It serves as both a historical artifact and a testament to the intricate craftsmanship prevalent during that era. Zuliani's attention to detail is evident in every stroke of his engraving. The map depicts Portugal's provinces with precision, offering a visual representation of their geographical boundaries. Beyond its cartographic significance, however, this piece also conveys deeper meanings through allegory and abstract concepts. As we delve into the rich history encapsulated within this image, we are reminded of the vital role maps played as instruments for communication throughout time. They served not only as documents guiding travelers but also as symbols representing territories and peoples. In contemplating this artwork from 2009 capturing an engraving dating back to 1776, we witness how it bridges two distinct centuries while preserving Portugal's modern history. This photograph allows us to appreciate the evolution of cartography over time while immersing ourselves in renaissance baroque aesthetics. Through Alinari's lens, we gain access to an extraordinary scene frozen within these frames—a testament to human ingenuity and our unyielding desire for knowledge about our world. This print invites us on a journey through time—an exploration that transcends borders—offering glimpses into Portugal's past while celebrating artistry at its finest.

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