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Relief, close up of the window frame, Giacomo Serpotta (1656-1732), Oratory of the Rosary of Santa Cita, Palermo

Relief, close up of the window frame, Giacomo Serpotta (1656-1732), Oratory of the Rosary of Santa Cita, Palermo


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Relief, close up of the window frame, Giacomo Serpotta (1656-1732), Oratory of the Rosary of Santa Cita, Palermo

Relief, close up of the window frame, Giacomo Serpotta (1656-1732), Oratory of the Rosary of Santa Cita, Palermo Palermo Oratory of the Rosary of Santa Cita High Relief Late Baroque, Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1929 ca.. Date of Artwork:1711-1718 ca.. Artist:Serpotta Giacomo (1656-1732)

Anderson
ADA-F-029831-0000

Media ID 33149400

© Alinari Archives, Florence

Baroque Diet Draperylate Baroque Festoon Food Fruit Leaf Literature And Fiction Pilaster Strip Putto Solid Vegetal Element Or Composition


FEATURES IN THESE COLLECTIONS

> Architecture > Styles > Baroque Architecture

> Arts > Art Movements > Baroque

> Baroque paintings

> Europe > Italy > Sicily > Palermo

> Historic > Historical fashion trends > Baroque fashion trends

> Historic > Historical fashion trends > Renaissance fashion trends

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Baroque architecture

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Renaissance architecture

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art


Relief, close up of the window frame, Giacomo Serpotta (1656-1732), Oratory of the Rosary of Santa Cita, Palermo

EDITORS COMMENTS
. This print captures a mesmerizing close-up view of the intricate window frame relief created by the skilled hands of Giacomo Serpotta. The photograph showcases a remarkable piece of artistry from the late Baroque period in all its glory. Located within the Oratory of the Rosary of Santa Cita in Palermo, this masterpiece is a testament to Serpotta's talent and craftsmanship. The high relief sculpture beautifully combines elements from various styles and periods such as Baroque and Renaissance-Baroque. The composition exudes an air of grandeur with its meticulously carved architectural details including pilaster strips adorned with decorative festoons and leaf motifs. Amidst this opulent setting stands a charming putto figure, adding an element of playfulness to the scene. Serpotta's attention to detail is evident not only in his portrayal of human figures but also in his depiction of vegetal elements like leaves and fruits that add depth and texture to the artwork. The drapery on display further accentuates his mastery over sculpting fabric folds. Dating back to around 1711-1718, this exquisite piece transports us back in time, allowing us to appreciate both its artistic significance and historical context. It serves as a reminder that art has always been intertwined with literature, fashion, culture, and society throughout different epochs. Anderson's skillful photography preserves every nuance captured within this image while paying homage to Serpotta's genius. This print invites viewers into a world where beauty meets history—a visual feast for those who appreciate fine art from Europe's first and second millenniums.

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