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Sweden divided into its Kingdoms, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection

Sweden divided into its Kingdoms, engraving by G. Zuliani taken from Tome III of the 'Newest Atlas' published in Venice in 1781 by Antonio Zatta, Private Collection


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Sweden divided into its Kingdoms, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection

Sweden divided into its Kingdoms, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1781. Artist:Zuliani G

Alinari
PDP-A-ZATTA3-0022

Media ID 33186187

© Alinari Archives, Florence

Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Scene Means Of Communication Seaeighteenth Century Territory Abstract Concept And Symbol Concept Or Subject Expressed


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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta. The print, part of a private collection in Florence, depicts Sweden divided into its Kingdoms with remarkable precision and artistry. Created during the Renaissance-Baroque styles and periods, this artwork represents a significant contribution to cartography and graphics. It beautifully captures the essence of Europe in the eighteenth century, offering a glimpse into historical territories and boundaries. The intricate details of this engraving transport us back to a time when maps were not only instruments for navigation but also works of art. With meticulous strokes, Zuliani masterfully portrays each kingdom's topography and geography while incorporating elements of allegory and symbolism. This print serves as both an instrument and document that allows us to explore Sweden's geographical landscape through an abstract lens. It invites contemplation on how territory can be represented visually, highlighting the importance of communication through maps. Dating back to 1781, this artwork holds immense historical value. Its preservation over centuries is a testament to its significance within the field of cartography. Through Alinari's lens in 2009, we are granted access to admire this masterpiece up close while appreciating its enduring relevance even after two centuries have passed. As we delve into this enchanting image capturing Sweden's kingdoms with utmost elegance, it reminds us that art has always been intertwined with our understanding of history and culture – transcending time itself.

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