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Romanticism in art Collection

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Background imageRomanticism in art Collection: Whitby, 1824. Artist: JMW Turner

Whitby, 1824. Artist: JMW Turner
Whitby, 1824. From the Tate Gallery, London

Background imageRomanticism in art Collection: A First Rate Taking in Stores, 1818. Artist: JMW Turner

A First Rate Taking in Stores, 1818. Artist: JMW Turner
A First Rate Taking in Stores, 1818. Painting held at the Tate, London. From The Studio Volume 120 [The Studio Ltd. London & New York, 1940]

Background imageRomanticism in art Collection: J. M. W. TURNER (1775-1851). Joseph Mallord William Turner. English painter. Pencil drawing

J. M. W. TURNER (1775-1851). Joseph Mallord William Turner. English painter. Pencil drawing
J.M.W. TURNER (1775-1851). Joseph Mallord William Turner. English painter. Pencil drawing, 1844, by Charles Martin

Background imageRomanticism in art Collection: Self-portrait of JMW Turner, 1799. Artist: JMW Turner

Self-portrait of JMW Turner, 1799. Artist: JMW Turner
Self-portrait of JMW Turner, 1799. Turner (1775-1851), the Romantic artist who became known as the painter of light. This is his last known self portrait, painted when he was 24

Background imageRomanticism in art Collection: J. M. W. Turner (1775-1851). British painter. Rain, Steam an

J. M. W. Turner (1775-1851). British painter. Rain, Steam an
J.M. W. Turner (1775-1851). British Romantic landscape painter. His work is regarded as a Romantic preface to Impressionism. Rain, Steam and Speed The Great Western Railway (1844)

Background imageRomanticism in art Collection: Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap

Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809 Artist: JMW Turner
Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809. Painting on display at the National Gallery of Canada, Ottawa

Background imageRomanticism in art Collection: TURNER: BURNING PARLIAMENT. The Burning of the Houses of Lords and Commons, 16th October 1834

TURNER: BURNING PARLIAMENT. The Burning of the Houses of Lords and Commons, 16th October 1834. Oil on canvas, 1834-35, by Joseph Mallord William Turner

Background imageRomanticism in art Collection: Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting, 1833. Artist: JMW Turner

Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting, 1833. Artist: JMW Turner
Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting, 1833. This view of Venice includes the figure of the Venetian artist Antonio Canaletto

Background imageRomanticism in art Collection: TURNER: FLINT CASTLE. Sunset at Flint Castle, Wales. Oil on canvas by James Mallord William

TURNER: FLINT CASTLE. Sunset at Flint Castle, Wales. Oil on canvas by James Mallord William Turner, c1830

Background imageRomanticism in art Collection: The Victory Returning from Trafalgar, in Three Positions, ca. 1806. Creator: JMW Turner

The Victory Returning from Trafalgar, in Three Positions, ca. 1806. Creator: JMW Turner
The Victory Returning from Trafalgar, in Three Positions; The " Victory" returning from Trafalgar; The Victory returning from Trafalgar, ca. 1806

Background imageRomanticism in art Collection: Sheerness as seen from the Nore, 1808. Artist: Turner, Joseph Mallord William (1775-1851)

Sheerness as seen from the Nore, 1808. Artist: Turner, Joseph Mallord William (1775-1851)
Sheerness as seen from the Nore, 1808. Found in the collection of the Museum of Fine Arts, Houston

Background imageRomanticism in art Collection: Winchelsea from the Rye Road, (pencil and watercolour)

Winchelsea from the Rye Road, (pencil and watercolour)
651975 Winchelsea from the Rye Road, (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 12.7x19.9 cm; Private Collection; (add.info.: Winchelsea from the Rye Road)

Background imageRomanticism in art Collection: Tummel Bridge, Perthshire, between 1802 and 1803. Creator: JMW Turner

Tummel Bridge, Perthshire, between 1802 and 1803. Creator: JMW Turner
Tummel Bridge, Perthshire; Dummel Bridge; Dummel Bridge, Fifeshire, Painted in 1812; Highland Bridge, between 1802 and 1803

Background imageRomanticism in art Collection: Ulysses deriding Polyphemus, 1829. Artist: Turner, Joseph Mallord William (1775-1851)

Ulysses deriding Polyphemus, 1829. Artist: Turner, Joseph Mallord William (1775-1851)
Ulysses deriding Polyphemus, 1829. Found in the collection of the National Gallery, London

Background imageRomanticism in art Collection: Corsica, (Monaco?) c. 1830-35 (w / c on brown paper)

Corsica, (Monaco?) c. 1830-35 (w / c on brown paper)
XYC203476 Corsica, (Monaco?) c.1830-35 (w/c on brown paper) by Turner, Joseph Mallord William (1775-1851); 13.8x18.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageRomanticism in art Collection: View of Farnley Hall in Yorkshire, 1808-1825. Creator: JMW Turner

View of Farnley Hall in Yorkshire, 1808-1825. Creator: JMW Turner
View of Farnley Hall in Yorkshire, 1808-1825

Background imageRomanticism in art Collection: Watermill near a Flowing Brook, 1795-1797. Creator: JMW Turner

Watermill near a Flowing Brook, 1795-1797. Creator: JMW Turner
Watermill near a Flowing Brook, 1795-1797

Background imageRomanticism in art Collection: A View of Deal, early-mid 19th century. Creator: JMW Turner

A View of Deal, early-mid 19th century. Creator: JMW Turner
A View of Deal, early-mid 19th century

Background imageRomanticism in art Collection: Heidelberg, with a Rainbow, . Creator: Turner, Joseph Mallord William (1775-1851)

Heidelberg, with a Rainbow, . Creator: Turner, Joseph Mallord William (1775-1851)
Heidelberg, with a Rainbow. Private Collection

Background imageRomanticism in art Collection: An April Shower: A View from Binsey Ferry Near Oxford, Looking Towards Port... 1842

An April Shower: A View from Binsey Ferry Near Oxford, Looking Towards Port... 1842. Creator: William Turner
An April Shower: A View from Binsey Ferry Near Oxford, Looking Towards Port Meadow and Godstow, 1842

Background imageRomanticism in art Collection: Tranquil Park Scene, n.d. Creator: Unknown

Tranquil Park Scene, n.d. Creator: Unknown
Tranquil Park Scene, n.d

Background imageRomanticism in art Collection: Study of a Tree in Bloom, c. 1835. Creator: William Turner

Study of a Tree in Bloom, c. 1835. Creator: William Turner
Study of a Tree in Bloom, c. 1835

Background imageRomanticism in art Collection: A Shipwreck, 1805/07. Creator: Charles Turner

A Shipwreck, 1805/07. Creator: Charles Turner
A Shipwreck, 1805/07

Background imageRomanticism in art Collection: Mountainous Landscape with Town in Valley, c.1840 (graphite & grey wash on paper)

Mountainous Landscape with Town in Valley, c.1840 (graphite & grey wash on paper)
XYC201202 Mountainous Landscape with Town in Valley, c.1840 (graphite & grey wash on paper) by Turner, Joseph Mallord William (1775-1851); 23.6x29.4 cm; Yale Center for British Art

Background imageRomanticism in art Collection: The Morning After the Storm, c.1840-45 (oil on canvas)

The Morning After the Storm, c.1840-45 (oil on canvas)
NGW185738 The Morning After the Storm, c.1840-45 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 32.6x54.4 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageRomanticism in art Collection: A Sailing Boat off Deal, c.1835 (oil on millboard)

A Sailing Boat off Deal, c.1835 (oil on millboard)
NGW185739 A Sailing Boat off Deal, c.1835 (oil on millboard) by Turner, Joseph Mallord William (1775-1851); 22.6x30.3 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageRomanticism in art Collection: The Storm, c.1840-45 (oil on canvas)

The Storm, c.1840-45 (oil on canvas)
NGW185740 The Storm, c.1840-45 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); National Museum Wales; National Museums & Galleries of Wales

Background imageRomanticism in art Collection: The Morning after the Wreck, c.1835-40 (oil on canvas)

The Morning after the Wreck, c.1835-40 (oil on canvas)
NGW186838 The Morning after the Wreck, c.1835-40 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 38.7x61.8 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageRomanticism in art Collection: Aesacus and Hesperie, published 1819. Creator: JMW Turner

Aesacus and Hesperie, published 1819. Creator: JMW Turner
Aesacus and Hesperie, published 1819

Background imageRomanticism in art Collection: Beauport, near Bexhill, 1810. Artist: JMW Turner

Beauport, near Bexhill, 1810. Artist: JMW Turner
Beauport, near Bexhill, 1810. Painting held by Harvard Art Museums/Fogg Museum. From The Studio Volume 83. [London Offices of the Studio, London, 1922]

Background imageRomanticism in art Collection: Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Artist: JMW Turner

Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Artist: JMW Turner
Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Painting held at the Manchester Art Gallery. From A Catalogue of the Pictures

Background imageRomanticism in art Collection: Music Party, East Cowes Castle, c1835. Artist: JMW Turner

Music Party, East Cowes Castle, c1835. Artist: JMW Turner
Music Party, East Cowes Castle, c1835. From the Tate Gallery, London

Background imageRomanticism in art Collection: Modern Italy - The Pifferari, 1838 (oil on canvas)

Modern Italy - The Pifferari, 1838 (oil on canvas)
GLS219801 Modern Italy - The Pifferari, 1838 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 92.6x123.2 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageRomanticism in art Collection: Brecon Bridge and Castle, c. 1795 (w/c on paper)

Brecon Bridge and Castle, c. 1795 (w/c on paper)
495781 Brecon Bridge and Castle, c.1795 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 23.6x34 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageRomanticism in art Collection: East and West Looe, Cornwall, c. 1816 (w/c on paper)

East and West Looe, Cornwall, c. 1816 (w/c on paper)
495767 East and West Looe, Cornwall, c.1816 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 15.6x23.8 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageRomanticism in art Collection: Dunstanborough Castle, Northumberland, c. 1829 (w/c on paper)

Dunstanborough Castle, Northumberland, c. 1829 (w/c on paper)
495773 Dunstanborough Castle, Northumberland, c.1829 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 29.1x42.5 cm; Manchester Art Gallery

Background imageRomanticism in art Collection: Whitehall, c. 1835 (w/c on paper)

Whitehall, c. 1835 (w/c on paper)
495757 Whitehall, c.1835 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 9.5x15.4 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageRomanticism in art Collection: Rome, the Tomb of Cecilia Metella, c. 1824 (w/c on paper)

Rome, the Tomb of Cecilia Metella, c. 1824 (w/c on paper)
495771 Rome, the Tomb of Cecilia Metella, c.1824 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 12.1x22 cm; Manchester Art Gallery, UK; (add.info.: Caecilia Metella (b. c. 100 BC, fl)

Background imageRomanticism in art Collection: Powis Castle, Montgomeryshire, c. 1835 (w/c on paper)

Powis Castle, Montgomeryshire, c. 1835 (w/c on paper)
495768 Powis Castle, Montgomeryshire, c.1835 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 28.9x48.9 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageRomanticism in art Collection: A Mountain Pass in Moonlight, c. 1845 (w/c on paper)

A Mountain Pass in Moonlight, c. 1845 (w/c on paper)
495763 A Mountain Pass in Moonlight, c.1845 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 21.6x18.7 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageRomanticism in art Collection: Domleschg Valley, looking South east, towards Schloss Ortenstein, c. 1853 (w/c on paper)

Domleschg Valley, looking South east, towards Schloss Ortenstein, c. 1853 (w/c on paper)
495774 Domleschg Valley, looking South east, towards Schloss Ortenstein, c.1853 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 23x28.8 cm; Manchester Art Gallery

Background imageRomanticism in art Collection: A Swiss Lake, c. 1841 (w/c on paper)

A Swiss Lake, c. 1841 (w/c on paper)
495764 A Swiss Lake, c.1841 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 25.1x36.7 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageRomanticism in art Collection: A River in Spate, c. 1796 (w/c on paper)

A River in Spate, c. 1796 (w/c on paper)
495761 A River in Spate, c.1796 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 37.5x50.7 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageRomanticism in art Collection: Tantallon Castle, 1821 (w/c on paper)

Tantallon Castle, 1821 (w/c on paper)
495760 Tantallon Castle, 1821 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 17.9x26.1 cm; Manchester Art Gallery, UK; (add.info.: Tantallon Castle is a mid-14th-century fortress)

Background imageRomanticism in art Collection: Kilgarran Castle, c. 1798 (w/c on paper)

Kilgarran Castle, c. 1798 (w/c on paper)
495783 Kilgarran Castle, c.1798 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 27.5x37.5 cm; Manchester Art Gallery

Background imageRomanticism in art Collection: Landscape with trees by the River Thames, c. 1805 (w/c on paper)

Landscape with trees by the River Thames, c. 1805 (w/c on paper)
495779 Landscape with trees by the River Thames, c.1805 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 24.3x36.7 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageRomanticism in art Collection: Domleschg Valley, near Rothenbrunnen, looking towards Rhazuns, 1843 (w/c on paper)

Domleschg Valley, near Rothenbrunnen, looking towards Rhazuns, 1843 (w/c on paper)
495776 Domleschg Valley, near Rothenbrunnen, looking towards Rhazuns, 1843 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 23.2x29.1 cm; Manchester Art Gallery

Background imageRomanticism in art Collection: Addingham Mill on the Wharfe, West Yorkshire, c. 1808 (w/c on paper)

Addingham Mill on the Wharfe, West Yorkshire, c. 1808 (w/c on paper)
495780 Addingham Mill on the Wharfe, West Yorkshire, c.1808 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 28x38.8 cm; Manchester Art Gallery, UK; © Manchester Art Gallery



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