Canvas Print > Arts > Contemporary art > Modern art > Landscapes
Canvas Print : Pagoda and Torii (Japanese entrance portal) to Nikko
Canvas Prints from Fondazione Alinari per la Fotografia
Pagoda and Torii (Japanese entrance portal) to Nikko
Pagoda and Torii (Japanese entrance portal) to Nikko Japan Nikko. Date of Photograph:1870-1880
Yokohama School (attr.)
FVQ-F-005754-0000
Media ID 33287301
© Alinari Archives, Florence
Japan Landscape Wooded Areas Modern History Of Nations Pagoda Peoples Portal Territories
20"x16" (51x41cm) Canvas Print
Experience the rich culture and history of Japan with our stunning Canvas Print of "Pagoda and Torii (Japanese entrance portal) to Nikko" by the Yokohama School, attributed to Alinari. Captured between 1870 and 1880, this exquisite photograph transports you to the serene and spiritual landscape of Nikko, with its iconic torii gate and ornate pagoda standing proud against a backdrop of lush greenery. Our high-quality canvas prints are meticulously crafted to bring out the vibrant colors and intricate details of this beautiful work of art, making it a perfect addition to any home or office space. Immerse yourself in the beauty and tranquility of Japan with this timeless piece.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Arts
> Artists
> J
> Japanese School Japanese School
> Arts
> Contemporary art
> Modern art
> Landscapes
> Religious Art
> Religious Architecture
EDITORS COMMENTS
This print transports us back in time to the late 19th century, offering a glimpse into the rich cultural heritage of Japan. The image showcases the magnificent Pagoda and Torii, which serve as an entrance portal to Nikko, a city renowned for its architectural wonders. The Pagoda stands tall and majestic, with its multi-tiered structure reaching towards the heavens. Its intricate design and meticulous craftsmanship are evident in every detail, reflecting the religious significance it holds within Japanese culture. As we admire this sacred site, we cannot help but marvel at how it seamlessly blends into the surrounding landscape of wooded areas. The harmony between man-made structures and nature is truly awe-inspiring. The Torii gate gracefully frames our view of Nikko's enchanting beauty. With its bold red color contrasting against the monochromatic backdrop, it symbolizes a gateway between two worlds - that of humans and spirits. This iconic element has become synonymous with Japanese architecture worldwide. Photographed by Yokohama School during 1870-1880, this historic image allows us to delve into Japan's modern history while appreciating their unique traditions and customs. It serves as a reminder of how diverse nations have evolved over time through their distinctive architectural styles. As we stand before this remarkable print from Alinari, let us immerse ourselves in the allure of non-Christian cultures like Japan's – where spirituality intertwines with artistry to create breathtaking structures that continue to captivate hearts even today.
MADE IN THE USA
Safe Shipping with 30 Day Money Back Guarantee
FREE PERSONALISATION*
We are proud to offer a range of customisation features including Personalised Captions, Color Filters and Picture Zoom Tools
SECURE PAYMENTS
We happily accept a wide range of payment options so you can pay for the things you need in the way that is most convenient for you
* Options may vary by product and licensing agreement. Zoomed Pictures can be adjusted in the Cart.
