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Canvas Print : Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873)

Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873)



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Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873)

JOC4401061 Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). "France still has its watch." The precise commentary that if the servants of Napoleon III have not yet completely abandoned it, "it is that France (...) still has its watch", and after having almost completely devalised it, they nourish the secret hope of taking it down completely". Illustration by Andre Gill, La Lanterne, October 10, 1868. Engraving in " Napoleon dernier: Les Lanternes de l'Empire" (Volume 1, volume 2), reedition of 1880-1881 of 75 issues of the newspaper " La Lanterne " published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.; (add.info.: Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). "France still has its watch." The precise commentary that if the servants of Napoleon III have not yet completely abandoned it, "it is that France (...) still has its watch", and after having almost completely devalised it, they nourish the secret hope of taking it down completely". Illustration by Andre Gill, La Lanterne, October 10, 1868. Engraving in " Napoleon dernier: Les Lanternes de l'Empire" (Volume 1, volume 2), reedition of 1880-1881 of 75 issues of the newspaper " La Lanterne " published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.); Photo © Sibroc

Media ID 38337400

© © Sibroc / Bridgeman Images

Allegorie Bandit Bonaparte Family Francaise Marianne Montre Napoleon 3 Napoleon 3rd Napoleon Iii Napoleon Iii Iii 3 Napoleon Iiird Politique Second Empire Shows Sibroc Trahison Treason Voleur Femme


20"x16" (51x41cm) Canvas Print

Add a touch of historical charm to your home with this captivating canvas print depicting a cartoon of the politics of the Second Empire directed by Napoleon III. A unique piece from Fine Art Finder, this artwork is sure to spark conversation and intrigue among your guests.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > King Charles

> Arts > Artists > G > Andre Gill

> Europe > France > Royalty

> Popular Themes > Politics

> Fine Art Finder > Artists > Dominikus Zimmermann


EDITORS COMMENTS
This cartoon from the Second Empire era under Napoleon III sheds light on the political climate of the time. The satirical illustration by Andre Gill, published in La Lanterne in 1868, cleverly depicts the Bonapartist regime's manipulation and exploitation of France. The caption "France still has its watch" alludes to the idea that despite being nearly drained of its resources by Napoleon III's cronies, there is still something left to plunder. The intricate details in this print showcase the cunning nature of those in power during this tumultuous period. The sly expressions on the faces of the characters hint at their ulterior motives and greed for more control over France. Through subtle symbolism and sharp commentary, Gill effectively conveys a message of caution against blind loyalty to authority figures who may not have the best interests of their country at heart. As viewers delve into this historical artwork, they are transported back to a time when political corruption ran rampant and citizens were caught in a web of deceit. This piece serves as a reminder that vigilance is crucial in safeguarding democracy and holding leaders accountable for their actions. It stands as a timeless reflection on power dynamics and serves as a poignant warning against unchecked authority.

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