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Canvas Print : Olympia seduced by Jupiter, Polyphemus guarding Acis and Galatea, Pasiphae entering the cow constructed by Daedalus, from the Sala di Amore e Psiche, 1527-31 (fresco) (post restoration)

Olympia seduced by Jupiter, Polyphemus guarding Acis and Galatea, Pasiphae entering the cow constructed by Daedalus, from the Sala di Amore e Psiche, 1527-31 (fresco) (post restoration)



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Olympia seduced by Jupiter, Polyphemus guarding Acis and Galatea, Pasiphae entering the cow constructed by Daedalus, from the Sala di Amore e Psiche, 1527-31 (fresco) (post restoration)

ALG154704 Olympia seduced by Jupiter, Polyphemus guarding Acis and Galatea, Pasiphae entering the cow constructed by Daedalus, from the Sala di Amore e Psiche, 1527-31 (fresco) (post restoration) by Romano, Giulio (1492-1546); Palazzo del Te, Mantua, Italy; (add.info.: hollow cow made so Pasiphae could approach the bull which Poseidon had made her passionate for; wife of Minos, king of Crete; )

Media ID 25462338

© Bridgeman Images

Bare Bestiality Cupid Dedale Erotic Galatee Mannerist Polypheme Psyche Seduction Lovers Pagan Paganism Pagans Polytheism Polytheist Semi Nude


20"x16" (51x41cm) Canvas Print

Bring the captivating allure of ancient mythology into your home with Media Storehouse's Canvas Prints. Feast your eyes on the enchanting Sala di Amore e Psiche fresco by Bridgeman Images from Fine Art Finder. This exquisite masterpiece, dating back to 1527-31, showcases three iconic mythological tales: Jupiter's seduction of Olympia, Polyphemus' protective love for Galatea, and Pasiphae's desperate attempt to bear a child by the bull, engineered by Daedalus. Each Canvas Print is meticulously reproduced with stunning detail and vibrant colors, ensuring a timeless piece of art that adds an air of sophistication and mystery to any room. Immerse yourself in the world of mythology and let these captivating stories come alive in your home.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Farm > Cattle > Related Images

> Animals > Mammals > Vespertilionidae > Daedalus

> Arts > Artists > R > Giulio Romano

> Arts > Fine Art

> Europe > Italy > Heritage Sites > Mantua and Sabbioneta

> Europe > Italy > Lombardy > Mantua

> Europe > Italy > Paintings

> Europe > Italy > Posters

> Popular Themes > Religious Images

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > Giulio Romano

> Fine Art Finder > Mythological


EDITORS COMMENTS
This fresco, titled "Olympia seduced by Jupiter, Polyphemus guarding Acis and Galatea, Pasiphae entering the cow constructed by Daedalus" transports viewers into a world of mythological intrigue. Painted by Giulio Romano between 1527-31 and recently restored to its former glory, this masterpiece adorns the walls of the Sala di Amore e Psiche in Palazzo del Te, Mantua. The scene is filled with an array of mythical characters entangled in their own tales. In the foreground, we witness Olympia being seduced by Jupiter himself while Polyphemus stands guard over Acis and Galatea. The intricate details showcase Romano's mastery as he captures each figure's emotions and expressions flawlessly. One cannot overlook Pasiphae entering the hollow cow created by Daedalus; a symbol of her insatiable passion for a bull that Poseidon had enchanted her with. This particular episode sheds light on Pasiphae's role as Minos' wife and her involvement in Greek mythology. Romano's work beautifully blends elements of eroticism, mythology, religion, and paganism. The painting exudes sensuality through its depiction of nudity and semi-nudity while simultaneously exploring complex themes from ancient myths. Commissioned by the Gonzaga family during Italy's Mannerist period, this artwork showcases Romano's unique style characterized by elongated figures and exaggerated poses. As we gaze upon this remarkable

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