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Canvas Print : Saint Anne, the Virgin and Child and a study of a nude man (forward standing)

Saint Anne, the Virgin and Child and a study of a nude man (forward standing)



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Saint Anne, the Virgin and Child and a study of a nude man (forward standing)

XIR895983 Saint Anne, the Virgin and Child and a study of a nude man (forward standing) by Buonarroti, Michelangelo (1475-1564); 32.5x25 cm; Louvre, Paris, France; (add.info.: Sainte Anne, la Vierge et l Enfant, et Etude d un homme nu, debout, de face
Note: Catalogue Louvre " Plus beaux dessins du Louvre", 1962 ); Italian, out of copyright

Media ID 12943699

© www.bridgemanimages.com

Annotations Holy Family Human Anatomy Saint Anne


20"x16" (51x41cm) Canvas Print

"Discover the timeless beauty of art with Media Storehouse's Canvas Prints. Featuring this exquisite piece from Bridgeman Images, "Saint Anne, the Virgin and Child and a study of a nude man (forward standing)" by Michelangelo Buonarroti, this stunning artwork showcases the masterful blend of religious devotion and human form. The intricate details of the Virgin Mary, Saint Anne, and the nude man come alive in vibrant colors and textures on the high-quality canvas, transforming your space into a personal gallery. Add a touch of art history and elegance to your home with Media Storehouse Canvas Prints."

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Renaissance Art

> Arts > Artists > B > Michelangelo Buonarroti

> Arts > Artists > Michelangelo Buonarroti > Michelangelo's drawings

> Arts > Artists > Michelangelo Buonarroti > Renaissance art

> Arts > Artists > Michelangelo Buonarroti

> Arts > Artists > Michelangelo > Renaissance art

> Arts > Artists > Michelangelo

> Europe > France > Paris > Museums > The Louvre

> Europe > France > Paris > Related Images

> Europe > France > Paris > Sights > Louvre

> Fine Art Finder > Artists > Michelangelo Buonarroti


EDITORS COMMENTS
This print showcases the artistic brilliance of Michelangelo's "Saint Anne, the Virgin and Child and a study of a nude man (forward standing)". The image captures the essence of Renaissance art with its intricate details and masterful composition. In this piece, Saint Anne, the Virgin Mary, and baby Jesus are depicted in an intimate moment. The tender bond between mother and child is beautifully portrayed as they are enveloped by Saint Anne's protective embrace. Their expressions exude serenity and grace, reflecting their divine nature. Alongside this holy scene is a study of a nude man in a forward-standing pose. This additional element adds depth to the artwork by showcasing Michelangelo's meticulous attention to human anatomy. Through his skillful strokes, he captures every muscle and contour with remarkable precision. The annotations on the drawing provide insights into Michelangelo's creative process. They offer glimpses into his thoughts and techniques as he meticulously crafted each stroke on paper. Displayed at the Louvre Museum in Paris, France, this masterpiece continues to captivate art enthusiasts from around the world. Its presence serves as a testament to Michelangelo's enduring legacy as one of history's greatest artists. This print allows us to appreciate not only Michelangelo's technical prowess but also his ability to convey profound emotions through his art. It invites viewers to delve into the depths of spirituality while marveling at the sheer beauty that transcends time itself.

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