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Canvas Print : Portrait of Elizabeth Percy, Countess of Northumberland, wife to Joceline Percy, one of the Windsor Beauties, 1646-1690

Portrait of Elizabeth Percy, Countess of Northumberland, wife to Joceline Percy, one of the Windsor Beauties, 1646-1690



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Portrait of Elizabeth Percy, Countess of Northumberland, wife to Joceline Percy, one of the Windsor Beauties, 1646-1690

6340251 Portrait of Elizabeth Percy, Countess of Northumberland, wife to Joceline Percy, one of the Windsor Beauties, 1646-1690 by Deane, Thomas Anthony (18th-19th century); (add.info.: Portrait of Elizabeth Percy, Countess of Northumberland, wife to Joceline Percy, one of the Windsor Beauties, 1646-1690. Steel engraving by Thomas Anthony Deane after a portrait by Sir Peter Lely from Mrs Anna Jamesons Memoirs of the Beauties of the Court of King Charles the Second, Henry Coburn, London, 1838); © Florilegius

Media ID 25137808

© Florilegius / Bridgeman Images

Henry Coburn King Charles Ii Mrs Anna Jameson Restoration Sir Peter Lely Steel Engraving Victorian Era Windsor Beauties


30"x20" (76x51cm) Canvas Print

Bring timeless elegance to your home with our Media Storehouse Canvas Prints. Featuring the captivating Portrait of Elizabeth Percy, Countess of Northumberland, this exquisite artwork showcases the beauty and grace of one of the Windsor Beauties. Originally painted by Deane in the late 17th century, this portrait is now available in a high-quality canvas print, bringing the rich history and artistry of the past into your modern living space. Add a touch of sophistication and charm to any room with this stunning piece of art.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 76.2cm (20" x 30")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > King Charles

> Arts > Artists > H > Thomas Henry

> Arts > Artists > L > Peter Lely

> Europe > United Kingdom > England > Herefordshire > Ledbury > Charles II

> Europe > United Kingdom > England > London > Fashion

> Europe > United Kingdom > England > Northumberland > Related Images

> Fine Art Finder > Artists > Thomas Wright


EDITORS COMMENTS
This portrait print showcases the elegance and beauty of Elizabeth Percy, Countess of Northumberland, a prominent figure during the Victorian era. Painted by Sir Peter Lely, one of the most renowned portrait artists of his time, this artwork captures Elizabeth's grace and poise with remarkable detail. Elizabeth was not only known for her striking appearance but also for her influential role as the wife to Joceline Percy, one of the Windsor Beauties. As part of the courtly circle surrounding King Charles II during the Restoration period, Elizabeth held a position of high regard and influence. Created in 1838 by Thomas Anthony Deane through steel engraving techniques, this print beautifully preserves Lely's original masterpiece. The intricate details and delicate lines bring out every nuance in Elizabeth's features while maintaining a sense of timeless charm. Displayed against a backdrop that exudes regality and sophistication, this portrait serves as a window into an era characterized by opulence and grandeur. It is no wonder that Mrs Anna Jameson included it in her memoirs titled "Memoirs of the Beauties of the Court of King Charles II" further solidifying its significance within art history. As you gaze upon this exquisite print from Bridgeman Images' collection on Fine Art Finder, allow yourself to be transported back in time to an age where beauty reigned supreme and aristocratic splendor knew no bounds.

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