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Canvas Print : The English traveller, in the shape of John Bull, looking on in horror at what the railway companies were planning for him. John Leech cartoon from Punch, London, 1848
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The English traveller, in the shape of John Bull, looking on in horror at what the railway companies were planning for him. John Leech cartoon from Punch, London, 1848
527866 The English traveller, in the shape of John Bull, looking on in horror at what the railway companies were planning for him. John Leech cartoon from Punch, London, 1848.; Universal History Archive/UIG
Media ID 38309990
© Universal History Archive/UIG / Bridgeman Images
1848 Bull Companies Horror John Leech Planning Punch Rail Shape
20"x16" (51x41cm) Canvas Print
Transport yourself back in time with this captivating canvas print from Media Storehouse, featuring a John Leech cartoon from 'Punch' in 1848. Witness the English traveller, embodied by John Bull, reacting in horror to the railway companies' plans. A unique and historical piece for any art lover's collection.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this satirical cartoon from 1848, John Bull, the personification of England, is depicted as an English traveller looking on in horror at what the railway companies have planned for him. The artist, John Leech, captures the essence of the time when railways were rapidly expanding across Britain and changing the landscape of travel.
John Bull's expression of shock and dismay reflects the concerns of many Britons during this period about the impact of industrialization and modernization on their way of life. The image serves as a scathing satire on the power and influence of railway companies in shaping society and transforming traditional modes of transportation.
As John Bull stands in disbelief at what lies ahead on his journey, viewers are reminded of the tensions between progress and tradition that characterized 19th-century Britain. The allegorical nature of this cartoon highlights deeper social commentary on issues such as class struggle, urbanization, and technological advancements.
Through Leech's clever depiction, we are transported back to a time when railways were not just means of transport but symbols of change and upheaval. This print serves as a reminder that history is often shaped by those who control transportation networks and infrastructure.
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