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Canvas Print : Il n'y a pourtant qu'une heure qu je tire, 1839. Creator: Honore Daumier
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Il n'y a pourtant qu'une heure qu je tire, 1839. Creator: Honore Daumier
Il n'y a pourtant qu'une heure qu je tire, 1839. I've only been pulling it [the bell-rope] for an hour'. From Moeurs conjugales, 14
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Media ID 36352902
© Heritage Art/Heritage Images
Bell Broken Daumier Honore Daumier Honore Victorin Door Doors Drunk Drunken Drunkenness Funny H Daumier Honore Daumier Honore Victorin Daumier Lithographic Top Hat Tophat Lithotint Parody Satirical
30"x20" (76x51cm) Canvas Print
Bring the timeless artistry of Honore Daumier's masterpiece, 'Il n'y a pourtant qu'une heure qu je tire, 1839' into your home with our Media Storehouse Canvas Prints. This captivating image, featuring the famous quote 'I've only been pulling it [the bell-rope] for an hour', is taken from Daumier's renowned series 'Moeurs conjugales'. Each print is meticulously crafted using premium canvas and high-definition printing techniques to ensure vibrant colors and stunning detail, making it a beautiful addition to any decor. Relive the rich history and intrigue of this iconic artwork with our Canvas Prints by Heritage Images.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 76.2cm (20" x 30")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Il n'y a pourtant qu'une heure qu'je tire
EDITORS COMMENTS
(I've only been pulling it for an hour), a captivating lithograph by the renowned French artist Honore Daumier, created in 1839. This intriguing image is part of Daumier's series "Moeurs conjugales" (Marital Manners). The print showcases a man, dressed in 19th-century attire, standing in front of a door, holding a bell-rope. His hat is askew on his head, and his face is contorted with the effort of pulling the rope. The door behind him is ajar, revealing a dimly lit interior. Daumier's masterful use of satire and humor is evident in this piece. The title of the series, "Marital Manners," suggests a commentary on the daily life and relationships of married couples. The man's drunken state and the late hour suggest that he may have been keeping his wife waiting, adding a layer of humor to the situation. The print is a testament to Daumier's skill as a cartoonist and lithographer. The contrast between the white door and the black and white clothing of the man creates a striking visual effect. The broken lines and rough textures add to the overall sense of humor and realism. This lithograph is a valuable addition to any art collection, showcasing the wit and social commentary of one of France's greatest artists. It is a window into the past, offering a glimpse into the daily life and relationships of 19th-century France. The Los Angeles County Museum of Art (LACMA) is fortunate to have this piece in its collection, allowing us to appreciate Daumier's artistry and legacy.
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