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Canvas Print : Means by which the large blocks of travertine and marble were lifted... 1756-57

Means by which the large blocks of travertine and marble were lifted... 1756-57



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Means by which the large blocks of travertine and marble were lifted... 1756-57

Means by which the large blocks of travertine and marble were lifted during the construction of the large Tomb of Caecilia Metella, known today as Capo di Bove, 1756-57. [Modo, col quale furono alzati i grossi Travertini, e gli altri Marmi nel fabbricare il gran Sepolcro di Cecilia Metella, oggi detto Capo di Bove]. From Le Antichita Romane (Roman Antiquities), tome 3, tavola 53, published 1756-57

Heritage Images features heritage image collections

Media ID 23870787

© Heritage Art/Heritage Images

Appian Way Archaeological Block Blocks Building Site Construction Construction Site Diagram Giovanni Battista Piranesi Hook Hooks Lifting Gear Marble Piranesi Giovanni Battista Pulley Pulley Block Pulleys Roman Road Rome Lazio Italy Rope Tomb Of Caecilia Metella Travertine Via Appia Ancient Roman Mausoleum


20"x16" (51x41cm) Canvas Print

Experience the grandeur of the past with our exquisite Canvas Prints from Media Storehouse. This captivating image, "Means by which the large blocks of travertine and marble were lifted... 1756-57" by Giovanni Battista Piranesi, showcases the intricate engineering and sheer determination behind the construction of the Tomb of Caecilia Metella. Witness the magnificent blocks of travertine and marble being hoisted to their rightful place in this iconic masterpiece from Heritage Images. Our high-quality Canvas Prints bring the rich history and detail of this Piranesi masterpiece into your home or office, making it a stunning addition to any decor.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Country > Italy > Related Images

> Architecture > Country > Italy > Rome

> Architecture > Styles > Roman Architecture

> Arts > Artists > P > Giovanni Battista Piranesi

> Arts > Artists > R > Roman Roman

> Europe > Italy > Lazio > Related Images

> Europe > Italy > Lazio > Rome

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This print takes us back to the 18th century, providing a glimpse into the means by which large blocks of travertine and marble were lifted during the construction of the grand Tomb of Caecilia Metella. Known today as Capo di Bove, this ancient Roman mausoleum stands as a testament to both architectural brilliance and engineering ingenuity. The image showcases an etching by Giovanni Battista Piranesi from his renowned work "Le Antichita Romane" (Roman Antiquities). It presents a detailed diagram illustrating the sophisticated lifting gear employed at the building site. Pulleys and pulley blocks are prominently featured, connected by ropes that enabled workers to hoist these massive stones with precision. As we delve into this archaeological marvel, we can't help but appreciate how technology has evolved over time. This snapshot transports us to an era where manual labor was essential in constructing monumental structures like this tomb along Rome's famous Appian Way. With its rich historical significance, it is no wonder that The Metropolitan Museum of Art houses this remarkable piece within its collection. Through Piranesi's artistry, we are reminded of the immense craftsmanship required for such endeavors while also gaining insight into ancient Roman culture and their reverence for death and burial practices. Intriguingly captured in black and white, this print allows us to immerse ourselves in both past and present simultaneously – appreciating not only the beauty of architecture but also acknowledging our shared human history.

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