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Canvas Print : Musical theories of Pythagoras, 1492. Creator: Unknown

Musical theories of Pythagoras, 1492. Creator: Unknown



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Musical theories of Pythagoras, 1492. Creator: Unknown

Musical theories of Pythagoras, 1492. Men playing musical instruments and making sounds. At top left, an anvil is struck with hammers. Top right: Pythagoras playing the musical scale on bells and on water-glasses. He has made a sort of xylophone using glasses filled with ever smaller amounts of water. Bottom left: Pythagoras discovery of the dependence of the musical intervals on certain arithemtical ratios of lengths of strings at the same tension. Bottom right: Pythagoras and Philolaus experimenting with musical pipes. Illustration from "Theorica musicae" (Theory of music) by Franchino Gaffurio

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Media ID 36370219

© Heritage Art/Heritage Images

Anvil Bell Bells Experiment Experimental Experimentation Glasses Hammer Hammers Instrument Instruments Musicians Philosopher Philosophers Philosophy Pipes Pythagoras Pythagoras Of Samos Scale Sound String Stringed Instrument Tools Vibration Walters Art Museum Xylophone Ancient Greek Experimenting Playing An Instrument


20"x16" (51x41cm) Canvas Print

Discover the fascinating world of ancient musical theories with our exquisite Canvas Print of 'Musical Theories of Pythagoras, 1492.' This captivating image, sourced from Heritage Images, showcases an intriguing scene of men engaging in musical practices, accompanied by various instruments and an anvil being struck with hammers. Unknown in origin, this timeless piece transports you back to a bygone era, offering a glimpse into the musical theories of the renowned philosopher Pythagoras. Elevate your home or office décor with this thought-provoking and visually stunning addition to your collection.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Animals > Insects > Hemiptera > Black Scale

> Arts > Art Movements > Medieval Art

> Arts > Artists > S > Walter Smalling

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> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Music

> Europe > Greece > Music

> Europe > Greece > Posters

> Europe > Greece > Related Images

> Historic > Ancient civilizations > Ancient Greece > Greek history


EDITORS COMMENTS
This image, titled "Musical theories of Pythagoras," dates back to 1492 and is an intriguing illustration from "Theorica musicae" (Theory of music) by Franchino Gaffurio. The print depicts a group of men engaged in musical exploration and experimentation. At the top left, an anvil is struck with hammers, possibly symbolizing the physical origins of sound. Pythagoras, the ancient Greek philosopher famed for his mathematical discoveries, is shown at the top right, playing the musical scale on bells and water-glasses. He has ingeniously created a xylophone-like instrument using glasses filled with ever smaller amounts of water. This innovative approach to music making reflects his groundbreaking theories on the mathematical relationships between musical intervals. At the bottom left, Pythagoras is depicted making a significant discovery – the dependence of musical intervals on certain arithmetic ratios of string lengths at the same tension. This revelation revolutionized the understanding of music and its connection to mathematics. The bottom right corner of the image shows Pythagoras and Philolaus experimenting with musical pipes. Their intense focus on the pipes underscores their dedication to unraveling the mysteries of music and sound. This 15th-century illustration is a testament to the enduring fascination with the intersection of art, science, and human curiosity.

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