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Canvas Print : Scene from "The Rose of Castile", at Drury Lane Theatre, 1858. Creator: Smyth. Scene from "The Rose of Castile", at Drury Lane Theatre, 1858. Creator: Smyth

Scene from 'The Rose of Castile', at Drury Lane Theatre, 1858. Creator: Smyth. Scene from 'The Rose of Castile', at Drury Lane Theatre, 1858. Creator: Smyth



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Scene from "The Rose of Castile", at Drury Lane Theatre, 1858. Creator: Smyth. Scene from "The Rose of Castile", at Drury Lane Theatre, 1858. Creator: Smyth

Scene from "The Rose of Castile", at Drury Lane Theatre, 1858. London stage production. This lively and pretty opera, certainly the chef-d'oeuvre of our most popular English composer, is again running a course of success even more brilliant, if possible, than that which it enjoyed last season-a success which is due not only to its own merit, but to the admirable manner in which it is performed, and which shows how little ground there is for the cuckoo cry about the neglect of "native talent." We have always maintained that, let English managers of theatres and opera-houses only give good tilings, they will never lack encouragement and support from the English public. "The Rose of Castille" is now so well known to the public, both of the metropolis and the provinces, that the subject of the accompanying Sketch will at once be recognised as the scene in the second act, in which the Prince, seeing the supposed country girl for the first time in royal attire, is so amusingly mystified as to her identity with the young Queen. Our artist has seized the moment when the Misses Pyne and Mr. Harrison are singing the laughing trio, "I'm not the Queen, ha, ha!" and the likenesses of all the three are striking and characteristic'. From "Illustrated London News", 1858

Heritage Images features heritage image collections

Media ID 36376656

© The Print Collector/Heritage Images

Contralto Costumes Crinoline Crinolines Drury Lane Theatre Hoop Skirt Hooped Hoopskirt Michael Balfe Michael William Balfe On Stage Opera Singer Opera Singers Petticoat Sibling Siblings Sister Sisters Smyth Soprano Tenor Theatre Royal Drury Lane William Harrison Playhouse Vocalist


30"x20" (76x51cm) Canvas Print

Step back in time with our exquisite Canvas Print of 'Scene from The Rose of Castile' at Drury Lane Theatre, 1858. This captivating image, created by Smyth, transports you to the heart of a London stage production. 'The Rose of Castile' was a popular English opera, renowned for its lively and pretty melodies. Bring the charm of 19th-century theatre into your home with this stunning, high-quality Canvas Print from Media Storehouse.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 76.2cm x 50.8cm (30" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Cuckoos > Black Cuckoo

> Animals > Birds > Cuckoos > Little Cuckoo

> Animals > Birds > Cuckoos > Related Images

> Arts > Artists > W > William White

> Arts > Still life artwork > Pop art > Fine arts

> Arts > Pop art

> Europe > United Kingdom > England > London > Art > Entertainment

> Europe > United Kingdom > England > London > Art > Music > Related Images

> Europe > United Kingdom > England > London > Art > Opera

> Europe > United Kingdom > England > London > Art > Theatre


EDITORS COMMENTS
This image hails from the second act of the popular English opera, "The Rose of Castile," which was once again delighting audiences at the prestigious Drury Lane Theatre in London during 1858. Composer Michael William Balfe's masterpiece continued to enjoy unprecedented success, a testament to both its inherent merit and the exceptional performances it received. The opera's enduring appeal demonstrated that the English public would wholeheartedly support and encourage homegrown talent if given the opportunity to shine. The scene depicted in this evocative sketch is instantly recognizable to those familiar with the production. Here, the Prince, played by Mr. Harrison, is bewildered by the transformation of the supposed country girl, portrayed by the Misses Pyne, into the resplendent Queen. The moment captured in the sketch is during the lively and humorous trio, "I'm not the Queen, ha, ha!" where the trio's playful denial of their royal identities adds to the amusement of the scene. Smyth, the talented artist, expertly captures the essence of the moment, skillfully rendering the likenesses of all three performers in striking and characteristic detail. This image serves as a testament to the enduring appeal and success of "The Rose of Castile" on the Victorian stage.

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