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Canvas Print : View Near Ispahan, 1890. Creator: Unknown

View Near Ispahan, 1890. Creator: Unknown



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View Near Ispahan, 1890. Creator: Unknown

View Near Ispahan, 1890. Isfahan flourished from 1050 to 1722 under the Safavid dynasty and is known for its Perso-Islamic architecture. During 16th and 17th century, Pigeon Towers were built to supply guano as fertiliser for the citys famous fields of watermelons. From " Cassells Illustrated Universal History, Vol. IV - Modern History", by Edmund Ollier. [Cassell and Company, Limited, London, Paris and Melbourne, 1890]

Heritage Images features heritage image collections

Media ID 19125856

© The Print Collector/Heritage Images

Aged Cassells Cassells Illustrated Universal History Co Cassell Edmund Edmund Ollier Esfahan Flock Fortress Iran Iranian Isfahan Landmark Modern History Ollier Ollier Edmund Persia Persian Rest Resting Safavid Dynasty Cassell And Company Ltd Pigeon Towers


20"x16" (51x41cm) Canvas Print

Step into the enchanting world of the past with Media Storehouse's Canvas Prints. This exquisite piece, "View Near Ispahan, 1890," transports you to the heart of Persia during the Safavid dynasty. Captured by an unknown artist from Heritage Images, the image showcases the breathtaking beauty of Isfahan, a city that flourished from 1050 to 1722. Known for its Perso-Islamic architecture, this captivating view is now a stunning addition to your home decor. Our high-quality canvas prints bring the rich history and vibrant colors of this timeless artwork to life, making it a cherished conversation starter and a testament to the enduring allure of the past.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Columbiformes > Pigeons > Related Images

> Animals > Birds > Pigeon

> Architecture > Religious

> Architecture > Styles > Islamic Architecture

> Architecture > Towers > Related Images

> Arts > Contemporary art > Landscapes > Nature landscapes

> Arts > Contemporary art > Modern art > Landscapes

> Arts > Landscape paintings > Landscape art > Nature-inspired artwork

> Arts > Landscape paintings > Rural countryside paintings > Country landscapes

> Arts > Landscape paintings > Rural countryside paintings > Landscape paintings


EDITORS COMMENTS
This print titled "View Near Ispahan, 1890" takes us back in time to the flourishing city of Isfahan during the Safavid dynasty. The Perso-Islamic architecture that made this city famous is beautifully showcased in the image. As we delve into its historical context, we discover an intriguing aspect of Isfahan's past - the Pigeon Towers. During the 16th and 17th centuries, these towers were constructed with a unique purpose: to supply guano as fertilizer for the city's renowned watermelon fields. This fascinating connection between nature and architecture highlights the ingenuity of those times. The photograph itself is an engraving from "Cassells Illustrated Universal History" a book by Edmund Ollier published in London, Paris, and Melbourne in 1890. Its monochrome composition adds depth and character to this aged depiction of Isfahan's countryside. In this scenic landscape, a flock of birds can be seen resting near one of these historic pigeon towers while a lone man stands nearby. His presence gives us a sense of scale against the backdrop of Persian history unfolding before our eyes. As we admire this remarkable piece capturing both architectural marvels and natural beauty, it serves as a reminder that even within historical contexts lies hidden stories waiting to be discovered.

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