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Canvas Print : Austen / Sense & Sensibilt
Canvas Prints from Mary Evans Picture Library
Austen / Sense & Sensibilt
Lucy Steele shows the portrait of Edward Ferrars to Elinor. Date: First published: 1811
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 7116055
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10135666
1811 Austen Elinor Ferrars Lucy Muff Sense Sensibility Steele Shows
30"x20" (76x51cm) Canvas Print
"Experience the timeless charm of Jane Austen's literature with our exquisite Canvas Prints from Media Storehouse. This captivating image, titled "Austen / Sense & Sensibility - Lucy Steele shows the portrait of Edward Ferrars to Elinor," is a beautifully detailed reproduction from Mary Evans Prints Online. First published in 1811, this iconic scene from Sense and Sensibility brings the novel's intricate characters and storyline to life. Each Canvas Print is meticulously crafted with a high-quality finish, ensuring a stunning addition to your home decor. Bring the classic world of Austen into your living space and indulge in the elegance of a bygone era."
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 76.2cm (20" x 30")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this enchanting scene from Jane Austen's beloved novel, "Sense and Sensibility," Lucy Steele (portrayed here in an elegant Regency-era costume, complete with a cozy muff) proudly displays the portrait of Edward Ferrars to Elinor Dashwood. The year is 1811, and the sisters' lives have been turned upside down by a series of romantic entanglements and misunderstandings. Edward, a shy and reserved young man, has recently confessed his love for Elinor, but she remains uncertain of his true feelings. In an attempt to win her over, Lucy, who harbors her own secret affection for Edward, presents Elinor with this portrait as proof of his devotion. Elinor, portrayed here with a thoughtful expression and a stack of books in her lap, examines the portrait intently. She is known for her sense of reason and rationality, and she is weighing the evidence before her to determine the truth about Edward's feelings. The portrait itself is a testament to the time period's obsession with capturing the likenesses of loved ones. Edward's serious expression and well-groomed appearance speak to his character, while the intricate details of his attire and the delicate folds of Lucy's muff add to the overall sense of authenticity. This moment in the novel is a poignant reminder of the importance of appearances and the role they play in shaping our perceptions of others. It also highlights the complex web of relationships and emotions that Austen so masterfully explores in "Sense and Sensibility.
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