Canvas Print : Bayeux Tapestry (7 of 8)
Canvas Prints from Mary Evans Picture Library
Bayeux Tapestry (7 of 8)
A black and white depiction of the Bayeux Tapestry. In this section, William exhorts his men to do battle. The battle commences, with deaths on both sides. Date: 1064 - 1066
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 7234527
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10503170
Bayeux Deaths Hastings Normandy Tapestry Will I Am
20"x16" (51x41cm) Canvas Print
"Experience the rich history of the Bayeux Tapestry with our stunning Canvas Prints from Media Storehouse. This particular print, depicting the pivotal moment "Bayeux Tapestry (7 of 8)" from Mary Evans Prints Online, showcases the intensity of the battle between William, Duke of Normandy, and the Saxon army. In black and white, the intricate details of this renowned art piece come alive, transporting you back to the 11th century. Decorate your home or office with this captivating piece of history, and let the story unfold before your eyes."
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 40.6cm (20" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
Bayeux Tapestry: The Call to Battle (Section 7 of 8) The intricately woven threads of the Bayeux Tapestry tell the story of the Norman Conquest of England, which took place between 1064 and 1066. In this section, depicting a pivotal moment in the narrative, Duke William of Normandy, later known as William the Conqueror, is shown exhorting his men to do battle against the Anglo-Saxon army led by King Harold Godwinson of England. William, portrayed as a determined and resolute leader, stands atop a horse, his arms outstretched, urging his soldiers forward. His men, dressed in chain mail and helmets, are shown with focused expressions, their weapons at the ready. The contrast between the calm, resolute faces of the Normans and the chaotic, disorganized ranks of the Anglo-Saxons underscores the superiority of William's forces. The scene transitions abruptly from William's rallying cry to the commencement of the battle. The once orderly ranks of the Normans and Anglo-Saxons become a chaotic whirl of movement and violence. Arrows fly through the air, horses rearing and charging, and men clash in hand-to-hand combat. The tapestry does not shy away from depicting the brutal realities of war, with fallen soldiers on both sides. The Battle of Hastings, as this engagement came to be known, was a turning point in English history. King Harold was killed, and William was crowned King of England, marking the end of Anglo-Saxon rule and the beginning of the Norman Conquest. The Bayeux Tapestry, a testament to the artistic and historical significance of this period, continues to captivate and inspire scholars and visitors alike.
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