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Canvas Print : c. 1880s India - fakir or holy man
Canvas Prints from Mary Evans Picture Library
c. 1880s India - fakir or holy man
c. 1880s India - image from an album of Indian types and trades designed to illustrate India to a British viewer - fakir or holy man
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23433770
Collodion Colony Cultural Ethnicity Ethnographic Albumen
20"x16" (51x41cm) Canvas Print
Transport yourself back in time with our exquisite Canvas Prints from Media Storehouse, featuring this captivating image of a fakir or holy man from 1880s India. Originally sourced from Mary Evans Prints Online, this evocative photograph offers a glimpse into the rich cultural history of India, as seen through the lens of a British photographer. The high-quality canvas print brings the intricate details and vibrant colors of this historic moment to life, making it a stunning addition to any home or office space. Embrace the allure of the past and add a touch of worldly wisdom to your décor with this beautiful canvas print.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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> Arts
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> Asia
> India
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> Historic
> Colonial history
> Colonial art and artists
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> New Images August 2021
EDITORS COMMENTS
This evocative image captures the enigmatic figure of a Fakir, or holy man, from the late 1880s in India. The photograph, taken during the height of British colonial rule, is a poignant reminder of the rich cultural tapestry that existed in India during this era. The Fakir, with his piercing gaze and serene expression, is shown seated on a mat, surrounded by various objects that symbolize his spiritual prowess. He wears simple clothing, adorned with a string of beads and a tikka mark on his forehead, signifying his devotion and spiritual status. The photograph is part of an album of Indian types and trades, which was likely compiled to illustrate India to a British viewer. The album, produced during the 1880s to 1890s, is an ethnographic record of the diverse people and traditions of India, reflecting the colonial fascination with documenting the 'exotic' and 'other'. The use of the wet collodion or albumen process adds to the photograph's historicity and grandeur, transporting us back to a bygone era. Despite the colonial context, the photograph offers a glimpse into the traditional and indigenous practices that continued to thrive in India, even as the country underwent significant social and political changes. The Fakir's unwavering gaze challenges the viewer to contemplate the complexities of India's cultural heritage and the enduring resilience of its people.
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