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Canvas Print : Wooden Maskoids
Canvas Prints from Mary Evans Picture Library
Wooden Maskoids
A display of four wooden tribal masks from New Guinea, an island in Australia, each of them bearing an intimidating expression. Date: circa 1924
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 32243926
© CLM Archive Collection / Mary Evans
Bearing Expression Guinea Masks Natives Possession Sydney Tribal 1924 Designed Intimidating
20"x16" (51x41cm) Canvas Print
Bring the captivating allure of the March of the Women Collection from Mary Evans Prints Online into your home with our Media Storehouse Canvas Prints. These stunning reproductions showcase four intricately carved wooden masks from New Guinea, an island in Australia. Dating back to circa 1924, each mask bears an intimidating expression that tells a story of ancient tribal heritage. Transform your space with these vibrant and textured prints, adding a touch of exotic charm and cultural depth to your decor.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 40.6cm (20" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This display of four wooden maskoids, hailing from the mystical lands of New Guinea, an island in Australia, dates back to circa 1924. Each maskoid, meticulously crafted from wood, bears an intimidating expression that speaks to the rich cultural heritage and deep spiritual significance of the native tribes that designed and possessed them. New Guinea, the largest island in the Pacific, has long been recognized for its diverse and complex tribal societies, each with their unique artistic traditions. These maskoids, with their intricately carved features and expressive eyes, serve as powerful symbols of the supernatural world and the tribal deities that governed it. The maskoids in this display were likely used in various ceremonial contexts, such as initiation rites or spiritual rituals, to invoke the presence of the gods and to instill awe and reverence in the participants. The masks' intimidating expressions, with their fierce gaze and exaggerated features, would have served to remind the tribespeople of the power and authority of their gods and the importance of adhering to their customs and beliefs. This collection of maskoids is now preserved in a museum in Sydney, Australia, where they continue to captivate and inspire visitors from around the world. Their intricate design and powerful presence serve as a testament to the rich cultural heritage of the New Guinea tribes and the enduring power of traditional art to connect us to the past and to the universal human experience.
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