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Canvas Print : Whistler V Ruskin

Whistler V Ruskin



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Whistler V Ruskin

Punch comments on the Whistler-Ruskin libel case, in which Whistler was awarded one farthing damages

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 4347706

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10140935

1878 Awarded Case Comments Damages Farthing Libel Ruskin Satirical Whistler


20"x16" (51x41cm) Canvas Print

"Bring the intriguing history of art to your home with Media Storehouse's Canvas Prints. This captivating piece, "Whistler V Ruskin" by Rights Managed from Mary Evans Prints Online, showcases the renowned Whistler-Ruskin libel case. Featuring Punch's humorous commentary on the famous art dispute, this canvas print is more than just a decorative addition to your space. It's a conversation starter and a testament to the rich history of artistic rivalry. Order your Whistler V Ruskin Canvas Print from Media Storehouse today and bring a piece of art history into your home."

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This historical and satirical print captures a pivotal moment in the Whistler-Ruskin libel case of 1878. The image depicts Punch magazine's commentary on the case, in which artist James McNeill Whistler was awarded just one farthing in damages after being accused of libeling art critic John Ruskin. The case itself was a significant event in art history, as it highlighted the tension between artistic freedom and criticism. Whistler's bold and innovative style had come under fire from Ruskin, who famously described his work as "flinging a pot of paint in the public's face." In response, Whistler sued Ruskin for libel, leading to a highly publicized trial that ultimately resulted in the symbolic award of one farthing. Punch's commentary on the case adds an extra layer of satire to this already dramatic story. The publication was known for its witty and incisive take on current events, and their depiction of this legal battle is no exception. Overall, this print serves as a fascinating glimpse into a key moment in art history. It reminds us of the power struggles that have always existed within the creative world, as well as the enduring legacy of artists like Whistler who were willing to fight for their vision.

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