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Cover of "Le Sans-Panlotte", number 28, Satirique en Couleurs
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Cover of "Le Sans-Panlotte", number 28, Satirique en Couleurs
ICA4868548 Cover of " Le Sans-Panlotte", number 28, Satirique en Couleurs, 1879_4_14: Un ange liberateur... - Republican, Feminisme anti, Marriage, Divorce, Valenciennes - Divorce - Naquet Alfred (1834-1916), Femmes - Illustration by Alfred Le Petity (1841-1909) by Le Petit, Alfred (1841-1909); (add.info.: Cover of " Le Sans-Panlotte", number 28, Satirique en Couleurs, 1879_4_14: Un ange liberateur... - Republican, Feminisme anti, Marriage, Divorce, Valenciennes - Divorce - Naquet Alfred (1834-1916), Femmes - Illustration by Alfred Le Petity (1841-1909)); Photo eCaricadoc; French, out of copyright
Media ID 23343928
© Caricadoc / Bridgeman Images
Chemist Divorce Le Petit Alfred 1841 1909 Learned Morals Padlock A Journal Caricadoc Journalism Newspapers
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EDITORS COMMENTS
The captivating print titled "Cover of 'Le Sans-Panlotte', number 28, Satirique en Couleurs" takes us back to the year 1879, immersing us in the vibrant world of French satire and social commentary. The image showcases a stunning illustration by Alfred Le Petit, depicting a scene that encapsulates the prevailing sentiments surrounding marriage and divorce during that era. At first glance, we are drawn to an angelic figure holding a key while standing before a padlock symbolizing societal constraints. This powerful visual metaphor represents the liberating force of divorce as advocated by Republican Feminism at the time. The presence of Valenciennes - Divorce - Naquet Alfred further emphasizes this theme. The intricate details within the artwork reveal layers of meaning and thought-provoking symbolism. A couple is depicted alongside various elements such as chemistry apparatus and press tools, suggesting intellectual pursuits and knowledge as essential components for challenging traditional norms. This thoughtfully crafted cover art serves as an introduction to a journal called "Le Sans-Panlotte" which aimed to challenge established moral values through satirical illustrations and articles. It offers us a glimpse into French society's evolving views on marriage, women's rights, and individual freedom during the late 19th century. As we explore this remarkable piece from Bridgeman Images' collection, we are transported not only to another time but also invited to reflect on how societal attitudes have evolved over centuries. It reminds us that art has always been instrumental in shaping public opinion and sparking conversations about important issues throughout history.
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