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Metal Print : Cover of "Le Sans-Panlotte", number 28, Satirique en Couleurs
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Cover of "Le Sans-Panlotte", number 28, Satirique en Couleurs
ICA4868548 Cover of " Le Sans-Panlotte", number 28, Satirique en Couleurs, 1879_4_14: Un ange liberateur... - Republican, Feminisme anti, Marriage, Divorce, Valenciennes - Divorce - Naquet Alfred (1834-1916), Femmes - Illustration by Alfred Le Petity (1841-1909) by Le Petit, Alfred (1841-1909); (add.info.: Cover of " Le Sans-Panlotte", number 28, Satirique en Couleurs, 1879_4_14: Un ange liberateur... - Republican, Feminisme anti, Marriage, Divorce, Valenciennes - Divorce - Naquet Alfred (1834-1916), Femmes - Illustration by Alfred Le Petity (1841-1909)); Photo eCaricadoc; French, out of copyright
Media ID 23343928
© Caricadoc / Bridgeman Images
Chemist Divorce Le Petit Alfred 1841 1909 Learned Morals Padlock A Journal Caricadoc Journalism Newspapers
16"x24" (61x41cm) Metal Print
Bring timeless art into your modern space with Media Storehouse Metal Prints. This captivating piece showcases the cover of "Le Sans-Panlotte" number 28, Satirique en Couleurs by Bridgeman Images from Fine Art Finder. Depicting an angel releasing a woman from her corset, this satirical image from 1879 is a powerful representation of feminism and the fight for freedom. Our high-quality metal prints are not only visually stunning but also durable, providing a long-lasting addition to your home or office decor. Elevate your interior design with this thought-provoking and beautiful work of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The captivating print titled "Cover of 'Le Sans-Panlotte', number 28, Satirique en Couleurs" takes us back to the year 1879, immersing us in the vibrant world of French satire and social commentary. The image showcases a stunning illustration by Alfred Le Petit, depicting a scene that encapsulates the prevailing sentiments surrounding marriage and divorce during that era. At first glance, we are drawn to an angelic figure holding a key while standing before a padlock symbolizing societal constraints. This powerful visual metaphor represents the liberating force of divorce as advocated by Republican Feminism at the time. The presence of Valenciennes - Divorce - Naquet Alfred further emphasizes this theme. The intricate details within the artwork reveal layers of meaning and thought-provoking symbolism. A couple is depicted alongside various elements such as chemistry apparatus and press tools, suggesting intellectual pursuits and knowledge as essential components for challenging traditional norms. This thoughtfully crafted cover art serves as an introduction to a journal called "Le Sans-Panlotte" which aimed to challenge established moral values through satirical illustrations and articles. It offers us a glimpse into French society's evolving views on marriage, women's rights, and individual freedom during the late 19th century. As we explore this remarkable piece from Bridgeman Images' collection, we are transported not only to another time but also invited to reflect on how societal attitudes have evolved over centuries. It reminds us that art has always been instrumental in shaping public opinion and sparking conversations about important issues throughout history.
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