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A visitor arriving late at night at a friend's house and being mistaken for a burglar by a servant. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807

A visitor arriving late at night at a friend's house and being mistaken for a burglar by a servant. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807


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A visitor arriving late at night at a friend's house and being mistaken for a burglar by a servant. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807

FLO4679242 A visitor arriving late at night at a friend's house and being mistaken for a burglar by a servant. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.; (add.info.: A visitor arriving late at night at a friend's house and being mistaken for a burglar by a servant. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.); © Florilegius

Media ID 38252224

© © Florilegius / Bridgeman Images

Burglar Comic Scene Eau Forte Etching Groans John Augustus Atkinson Late Miseries Serving Visitor Regency


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EDITORS COMMENTS
In this handcoloured copperplate print from 1807, we see a scene that is all too relatable - a visitor arriving late at night at a friend's house and being mistaken for a burglar by a startled servant. The intricate details in the etching by John Augustus Atkinson bring to life the tension and confusion of the moment, as the visitor stands frozen in place while the servant reacts with alarm. The contrast between light and shadow adds to the drama of the scene, highlighting the fear and misunderstanding that can arise in such situations. The Regency-era setting further enhances the sense of social decorum and propriety that is suddenly disrupted by this comical case of mistaken identity. As we gaze upon this illustration from "Illustrations of the Miseries of Human Life," we are reminded of how easily misunderstandings can occur, especially when communication is lacking or assumptions are made based on appearances alone. It serves as a humorous yet cautionary tale about jumping to conclusions before fully understanding a situation. This print captures not only a specific moment in time but also speaks to universal themes of human fallibility and vulnerability. It reminds us to approach each new encounter with an open mind and willingness to communicate effectively, lest we find ourselves caught up in our own miseries like these hapless characters.

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