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Fine Art Print : A visitor arriving late at night at a friend's house and being mistaken for a burglar by a servant. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807

A visitor arriving late at night at a friend's house and being mistaken for a burglar by a servant. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807



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A visitor arriving late at night at a friend's house and being mistaken for a burglar by a servant. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807

FLO4679242 A visitor arriving late at night at a friend's house and being mistaken for a burglar by a servant. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.; (add.info.: A visitor arriving late at night at a friend's house and being mistaken for a burglar by a servant. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.); © Florilegius

Media ID 38252224

© © Florilegius / Bridgeman Images

Burglar Comic Scene Eau Forte Etching Groans John Augustus Atkinson Late Miseries Serving Visitor Regency


20"x16" (+3" Border) Fine Art Print

Step back in time with this captivating fine art print from Media Storehouse, featuring a scene of mistaken identity and misfortune. The handcoloured copperplate drawing by John Augustus Atkinson is sure to spark conversation and intrigue in any space. Add a touch of historical charm to your home decor with this unique piece from Fine Art Finder.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Antoni Gaudi

> Arts > Artists > A > John Atkinson

> Arts > Artists > A > John Augustus Atkinson

> Arts > Artists > A > William Atkinson

> Arts > Artists > J > Augustus John

> Arts > Artists > M > John Miller


EDITORS COMMENTS
In this handcoloured copperplate print from 1807, we see a scene that is all too relatable - a visitor arriving late at night at a friend's house and being mistaken for a burglar by a startled servant. The intricate details in the etching by John Augustus Atkinson bring to life the tension and confusion of the moment, as the visitor stands frozen in place while the servant reacts with alarm. The contrast between light and shadow adds to the drama of the scene, highlighting the fear and misunderstanding that can arise in such situations. The Regency-era setting further enhances the sense of social decorum and propriety that is suddenly disrupted by this comical case of mistaken identity. As we gaze upon this illustration from "Illustrations of the Miseries of Human Life," we are reminded of how easily misunderstandings can occur, especially when communication is lacking or assumptions are made based on appearances alone. It serves as a humorous yet cautionary tale about jumping to conclusions before fully understanding a situation. This print captures not only a specific moment in time but also speaks to universal themes of human fallibility and vulnerability. It reminds us to approach each new encounter with an open mind and willingness to communicate effectively, lest we find ourselves caught up in our own miseries like these hapless characters.

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