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Cover of "Le Don Quixote", number 200, Satirique en Couleurs

Cover of 'Le Don Quixote', number 200, Satirique en Couleurs


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Cover of "Le Don Quixote", number 200, Satirique en Couleurs

ICA4926082 Cover of " Le Don Quixote", number 200, Satirique en Couleurs, 1878_4_19: Le neophyte - Anticlericalism - Eg avec reactionaries, Failure of the Church - Cassagnac Paul de (1843-1904), Bonapartiste, Cures - Illustration by Charles Gilbert-Martin (1839-1905) by Gilbert-Martin, Charles (1839-1905); (add.info.: Cover of " Le Don Quixote", number 200, Satirique en Couleurs, 1878_4_19: Le neophyte - Anticlericalism - Eg avec reactionaries, Failure of the Church - Cassagnac Paul de (1843-1904), Bonapartiste, Cures - Illustration by Charles Gilbert-Martin (1839-1905)); Photo eCaricadoc; French, out of copyright

Media ID 23718312

© Caricadoc / Bridgeman Images

Bonaparte Family Incense Republic Royalist Movement A Journal Caricadoc Journalism Newspapers


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EDITORS COMMENTS
The print showcases the captivating cover of "Le Don Quixote" number 200, Satirique en Couleurs. This vibrant and thought-provoking illustration from 1878 depicts a scene filled with political satire and social commentary. Created by Charles Gilbert-Martin, a renowned French illustrator, this artwork delves into themes such as anticlericalism, the failure of the Church, and the influence of reactionary forces. Intriguingly, the image portrays an individual referred to as "Le neophyte" (the novice) surrounded by clergy members and reactionaries. The use of incense in their hands symbolizes religious order while also hinting at manipulation or deceit. The presence of a cane suggests authority or power wielded by these figures. This cover art is part of a journal that played a significant role during its time in France's royalist movement and Bonaparte family politics amidst the republic era. It reflects both historical events and societal attitudes prevalent in late 19th-century France. Through this engraving, Gilbert-Martin skillfully captures complex ideas within one frame—critiquing religious institutions while highlighting their connection to political movements. The artist's attention to detail is evident in every stroke; his work serves as an insightful window into French society during this period. This remarkable piece continues to captivate viewers today with its rich symbolism and layered narrative. Its inclusion in Fine Art Finder's collection ensures that it remains accessible for all who appreciate historical artistry intertwined with sociopolitical commentary.

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