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Photographic Print : Cover of "Le Don Quixote", number 200, Satirique en Couleurs
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Cover of "Le Don Quixote", number 200, Satirique en Couleurs
ICA4926082 Cover of " Le Don Quixote", number 200, Satirique en Couleurs, 1878_4_19: Le neophyte - Anticlericalism - Eg avec reactionaries, Failure of the Church - Cassagnac Paul de (1843-1904), Bonapartiste, Cures - Illustration by Charles Gilbert-Martin (1839-1905) by Gilbert-Martin, Charles (1839-1905); (add.info.: Cover of " Le Don Quixote", number 200, Satirique en Couleurs, 1878_4_19: Le neophyte - Anticlericalism - Eg avec reactionaries, Failure of the Church - Cassagnac Paul de (1843-1904), Bonapartiste, Cures - Illustration by Charles Gilbert-Martin (1839-1905)); Photo eCaricadoc; French, out of copyright
Media ID 23718312
© Caricadoc / Bridgeman Images
Bonaparte Family Incense Republic Royalist Movement A Journal Caricadoc Journalism Newspapers
12"x8" Photo Print
Bring timeless art into your home with Media Storehouse's range of Photographic Prints. This captivating piece, "Le Don Quixote" Number 200 from Bridgeman Images, is a satirical masterpiece from the late 19th century. Depicting "Le neophyte - Anticlericalism - Eg avec reactionaries," this vibrant and thought-provoking cover art from "Satirique en Couleurs" is a must-have for any art enthusiast or collector. Experience the rich history and intrigue of this iconic image, expertly captured in our high-quality photographic print. Add a touch of sophistication and culture to your space with this stunning addition to your art collection.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Product Size is 20.3cm x 30.5cm (8" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The print showcases the captivating cover of "Le Don Quixote" number 200, Satirique en Couleurs. This vibrant and thought-provoking illustration from 1878 depicts a scene filled with political satire and social commentary. Created by Charles Gilbert-Martin, a renowned French illustrator, this artwork delves into themes such as anticlericalism, the failure of the Church, and the influence of reactionary forces. Intriguingly, the image portrays an individual referred to as "Le neophyte" (the novice) surrounded by clergy members and reactionaries. The use of incense in their hands symbolizes religious order while also hinting at manipulation or deceit. The presence of a cane suggests authority or power wielded by these figures. This cover art is part of a journal that played a significant role during its time in France's royalist movement and Bonaparte family politics amidst the republic era. It reflects both historical events and societal attitudes prevalent in late 19th-century France. Through this engraving, Gilbert-Martin skillfully captures complex ideas within one frame—critiquing religious institutions while highlighting their connection to political movements. The artist's attention to detail is evident in every stroke; his work serves as an insightful window into French society during this period. This remarkable piece continues to captivate viewers today with its rich symbolism and layered narrative. Its inclusion in Fine Art Finder's collection ensures that it remains accessible for all who appreciate historical artistry intertwined with sociopolitical commentary.
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