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Cover of "Le Grelot", number 1269, Satirique en Colours
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Cover of "Le Grelot", number 1269, Satirique en Colours
ICA4922918 Cover of " Le Grelot", number 1269, Satirique en Colours, 1895_8_4: Cure in the movement - Anticlericalism, Modernite, Religion, Cycling, Bicycle, Little Queen - Rally - Devot/Parishioner, Jesuites - Illustration by Edouard Guillaumin (Pepin) (1842-1910) by Pepin, Edouard Guillaumin (1842-1927); (add.info.: Cover of " Le Grelot", number 1269, Satirique en Colours, 1895_8_4: Cure in the movement - Anticlericalism, Modernite, Religion, Cycling, Bicycle, Little Queen - Rally - Devot/Parishioner, Jesuites - Illustration by Edouard Guillaumin (Pepin) (1842-1910)); Photo eCaricadoc; French, out of copyright
Media ID 23338614
© Caricadoc / Bridgeman Images
Amazement Bicycle Cycling Cyclist Physical Deformations Surprise Surprised A Journal Caricadoc Journalism Newspapers
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EDITORS COMMENTS
This print showcases the cover of "Le Grelot" number 1269, a satirical journal from 1895. The illustration by Edouard Guillaumin (Pepin) depicts a humorous scene filled with social commentary and wit. In the forefront, we see a clergyman on a bicycle, symbolizing the modernity and progressiveness of the era. This image cleverly combines elements of anticlericalism, religion, and cycling to create an intriguing visual narrative. The artist's skillful use of colors brings this satirical cartoon to life, capturing the attention of viewers immediately. The presence of a little queen on her own bicycle adds an element of surprise and amusement to the composition. Meanwhile, in the background, parishioners and Jesuites observe this unconventional sight with expressions ranging from amazement to confusion. This artwork reflects not only societal changes but also challenges traditional norms through its portrayal of religious figures engaging in unexpected activities. It offers insight into French society during that time period while showcasing Guillaumin's talent as an engraver. Overall, this print is not just visually striking but also thought-provoking as it explores themes such as feminization, physical deformations caused by cycling trends at that time period while offering glimpses into popular culture and public sentiment in 19th-century France.
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