Physical Deformations Collection
In the early 1900s, satirical magazines like L'Assiette au Beurre and Le Grelot used vivid colors to portray physical deformations in society
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In the early 1900s, satirical magazines like L'Assiette au Beurre and Le Grelot used vivid colors to portray physical deformations in society. These publications, such as number 209 of L'Assiette au Beurre and number 66 of Le Plateau au beurre, aimed to shed light on the flaws and abnormalities that existed within the human form. One striking example is found on the cover of Le Grelot's number 1109. The illustration depicts a grotesque figure with twisted limbs and a contorted face, symbolizing the physical deformities that some individuals had to endure. Similarly, number 1342 showcases another distorted character whose body seems to defy anatomical norms. Le Don Quixote's issue number 276 takes a different approach by featuring an image that highlights both physical deformation and social commentary. The cover portrays a hunchbacked man carrying bags labeled "taxes" while being followed by government officials who appear eager to take advantage of his misfortune. The use of vibrant colors in these satirical magazines further accentuates the impact of these visual representations. For instance, La Baionnette employs bold hues in its cover art to emphasize facial disfigurements caused by war injuries or accidents. Through their artistic choices, these publications sought not only to entertain but also provoke thought about societal attitudes towards physical differences. Number 42 of Le Grelot challenges conventional beauty standards by showcasing characters with unconventional features proudly embracing their uniqueness. Number 1269 continues this theme by presenting an individual with exaggerated facial features surrounded by others who seem oblivious or indifferent to their appearance. This juxtaposition serves as a reminder that physical deformations should not define one's worth or place in society. Lastly, number 645 from Le Don Quixote stands out for its portrayal of individuals with various disabilities engaging in everyday activities without shame or hesitation.