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The Marquis of Salisbury leaving the College Close at Dover after his Installation as Lord Warden of the Cinque Ports (engraving)
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The Marquis of Salisbury leaving the College Close at Dover after his Installation as Lord Warden of the Cinque Ports (engraving)
1605701 The Marquis of Salisbury leaving the College Close at Dover after his Installation as Lord Warden of the Cinque Ports (engraving) by English School, (19th century); Private Collection; (add.info.: The Marquis of Salisbury leaving the College Close at Dover after his Installation as Lord Warden of the Cinque Ports. Illustration for The Illustrated London News, 22 August 1896.
English School (19th Century)); Look and Learn / Illustrated Papers Collection
Media ID 22264760
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Cinque Ports Dover Installation Kent Leaving Lord Warden Marquis Of Salisbury Robert Gascoyne Cecil College Close
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EDITORS COMMENTS
This engraving captures a significant moment in history as the Marquis of Salisbury, Robert Gascoyne Cecil, leaves the College Close at Dover after his installation as Lord Warden of the Cinque Ports. The image showcases the grandeur and elegance of this ceremonial event that took place in 1896. The Marquis of Salisbury, a prominent politician and statesman, is depicted leaving with an air of authority and dignity. His presence commands attention as he walks through the ornate gates surrounded by onlookers. The composition beautifully portrays the historical significance attached to this occasion. Dover's College Close serves as a fitting backdrop for this scene, adding to its allure. The architectural details are meticulously captured in this engraving, highlighting both the opulence and heritage associated with such prestigious events. As Lord Warden of the Cinque Ports, Cecil held a position steeped in tradition and responsibility. This print allows us to glimpse into an era where politicians were revered figures who played crucial roles within society. The fine craftsmanship evident in this artwork emphasizes its importance as a historical document. It was originally published in The Illustrated London News on August 22nd, 1896 – further cementing its significance within British culture. Overall, this enchanting print offers viewers a window into an important moment from our past – one that celebrates both political power and cultural heritage intertwined within Kent's rich history.
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